圣母与圣婴

Duccio di Buoninsegna Italian

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锡耶纳画派大师杜乔的这幅精美作品用现实生活中的关系来表现圣母与圣婴的神圣形象，因而确定了西方艺术的一个转型时刻。与拜占庭时期将绘画作品视为神圣人物的象征性图像这一概念不同，杜乔赋予他的画中人物以一种新的人性，探索母与子之间的心理关系。一道栏杆将图上的虚构世界与观者的现实世界连接起来，这是这种图像手法最早的应用之一。原本的画框上显示出被蜡烛烧灼的痕迹，表明这幅画前曾燃点过敬拜用的蜡烛。

Madonna and Child, Duccio di Buoninsegna (Italian, active by 1278–died 1318 Siena), Tempera and gold on wood

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Madonna and Child, Duccio di Buoninsegna (Italian, active by 1278–died 1318 Siena), Tempera and gold on wood
Madonna and Child, Duccio di Buoninsegna (Italian, active by 1278–died 1318 Siena), Tempera and gold on wood
Madonna and Child, Duccio di Buoninsegna (Italian, active by 1278–died 1318 Siena), Tempera and gold on wood
Madonna and Child, Duccio di Buoninsegna (Italian, active by 1278–died 1318 Siena), Tempera and gold on wood
Madonna and Child, Duccio di Buoninsegna (Italian, active by 1278–died 1318 Siena), Tempera and gold on wood

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