贾哈里斯拜占庭经文选
君士坦丁堡
On view at The Met Fifth Avenue in Gallery 303
这份手稿中细腻刻画的四幅福音书作者肖像都带有精致的边框,使人想起掐丝珐琅,它们代表了十一世纪晚期至十二世纪早期拜占庭艺术的巅峰。此图上,白发苍苍的福音书作者马太坐在一面城墙之前,上方写有他的希腊文名字。有证据显示这份手稿是为拜占庭帝国的主教教堂——圣索菲亚大教堂而作,它体现出拜占庭人对书籍艺术的浓厚兴趣。扉页上的文字说明,这份手稿在十八世纪初依然在君士坦丁堡,曾是耶路撒冷的大主教克里桑索斯·诺塔拉斯的财产,他是“希腊启蒙运动”早期的重要成员之一。
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Folios 2v-3r, opening page of the Gospel of Saint John








































































This artwork is meant to be viewed from right to left. Scroll left to view more.
Folio 252v, close of final synaxarion lection, with line added, at top of colomn, by an unknown user, date unknown; main text supplied and prayer added, at bottom, by a user named Nicholas, possibly 13th or 14th century
Folio 310r, list of morning resurrection lections added, in right column by an unknown user, possibly 15th century
Folios 310v-311r, last original leaf left blank; reused 11th century (?) leaf from a copy of Symeon Metaphrastes' Menologian
Folios 312v-313r, reused leaf from an 11th-century (?) copy of Symeon Metaphrastes' Menologion; 14th-century (?) copy of Homilies of John Chrysostom
Folio 3r, detail, ownership note and signature of Chrysanthos Notaras, Patriarch of Jerusalem, dated 1707
Folio 257v, detail, menologian, September 14, special instructions for the commemoration of the Elevation of the Holy Cross