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王后头像残片

New Kingdom
ca. 1390–1336 B.C.
On view at The Met Fifth Avenue in Gallery 121
自从这块栩栩如生的雕像残片在1922年的一场展览中首次亮相以来，人们就想知道她的身份：这是阿蒙霍特普三世的妻子提耶王后，阿肯那顿的正宫王后娜芙蒂蒂，还是他的第二位王妃姬雅？这个问题依然没有答案。阿肯那顿在位期间出现了大量组合雕像，这块残片也出自那个年代。这些雕像的肌肤部分常以一种微红或黄色的石头为原料，衣服和全身其他行头则以其他材料制成。选材的原则是要能给人造成视觉上的巨大冲击。埃及尼罗河谷与红海之间的山区出产红、黄、绿色的碧玉，其质地硬如燧石，这两种石材谱系相近。对红碧玉雕像的表面进行手工打磨可形成糙面柔光，而这块由黄碧玉制成的面部雕像上那种绝妙的镜面光泽则完全得自于费力打磨。

Artwork Details

Object Information
  • 标题: 王后头像残片
  • 年代: 新王国时期，第十八王朝，阿肯那顿在位期间
  • 创作日期: 约公元前1352–1336年
  • 地域: 阿玛尔纳（？）
  • 材料: 黄碧玉
  • 尺寸: 51⁄8 x 47⁄8 x 47⁄8 英寸（13 x 12.5厘米 x 12.5厘米）
  • 来源信息: 购买，爱德华·S·哈克尼斯捐赠，1926年
  • 藏品编号: 26.7.1396
  • Curatorial Department: Egyptian Art

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