Search the collection

Filter By

Object Type / Material

Geographic Location

Drawings and Prints

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results

Sort by:

The Lake of Zug, Joseph Mallord William Turner British, Watercolor and bodycolor (gouache) with reductive techniques over graphite — The Lake of Zug
Joseph Mallord William Turner
1843

Lindisfarne Castle, Holy Island, Northumberland, Thomas Girtin British, Watercolor and bodycolor (gouache) — Lindisfarne Castle, Holy Island, Northumberland
Thomas Girtin
1796–97

Scrapbook of Drawings and Prints, Gideon Saint British, Pen and ink, engraving and etching — Scrapbook of Drawings and Prints
Gideon Saint
ca. 1760

He Disappeared into Complete Silence, Louise Bourgeois American, Engraving and drypoint with letterpress in a linen portfolio cover — He Disappeared into Complete Silence
Louise Bourgeois
1947

Intimacy, Theo Van Rysselberghe Belgian, Conté crayon; framing lines in conté crayon (or graphite?), by the artist — Intimacy
Theo Van Rysselberghe
1890

Poster advertising an exhibition of work by young Mexican artists 'of the revolution' held at the Casa de Vacas in Retiro Park, Madrid, June 1929, Gabriel Fernández Ledesma Mexican, Woodcut, letterpress — Poster advertising an exhibition of work by young Mexican artists 'of the revolution' held at the Casa de Vacas in Retiro Park, Madrid, June 1929
Gabriel Fernández Ledesma
1929

In proof of true love, a watercarrier skeleton arguing with a woman (Posada); two skeleton angels in upper corners (Manilla), José Guadalupe Posada Mexican, Type-metal engraving and letterpress on blue paper — In proof of true love, a watercarrier skeleton arguing with a woman (Posada); two skeleton angels in upper corners (Manilla)
Multiple artists/makers
ca. 1890–1896

Weymouth Bay, David Lucas British, Mezzotint on chine collé; proof before published state — Weymouth Bay
David Lucas
John Constable
1830

Study of Eleven Heads, Jacques de Gheyn II Netherlandish, Pen and three shades of brown ink with black chalk on laid paper; framing lines in pen and brown ink and graphite — Study of Eleven Heads
Jacques de Gheyn II
late 16th–early 17th century

Liverpool Shipping, Edward Alexander Wadsworth British, Woodcut on Japanese paper — Liverpool Shipping
Edward Alexander Wadsworth
1918

Honus Wagner, Pittsburgh, National League, from the White Border series (T206) for the American Tobacco Company, American Tobacco Company, Commercial lithograph — Honus Wagner, Pittsburgh, National League, from the White Border series (T206) for the American Tobacco Company
American Tobacco Company
1909–11

Emiliano Zapata, Diego Rivera Mexican, Lithograph — Emiliano Zapata
Multiple artists/makers
1932

Presentation Drawing of "The Statue of Liberty Illuminating the World", Frédéric-Auguste Bartholdi French, Charcoal, heightened with white chalk — Presentation Drawing of "The Statue of Liberty Illuminating the World"
Frédéric-Auguste Bartholdi
1875

Strata, Vija Celmins American, born Latvia, Mezzotint — Strata
Multiple artists/makers
1983

Christ Crucified between the Two Thieves: The Three Crosses, Rembrandt (Rembrandt van Rijn) Dutch, Drypoint printed on vellum — Christ Crucified between the Two Thieves: The Three Crosses
Rembrandt (Rembrandt van Rijn)
1653

Eastern Coast of Rügen with Shepherd, Caspar David Friedrich German, Brown ink and wash over pencil, with white opaque watercolor, on wove paper; partial framing line in brown-black ink — Eastern Coast of Rügen with Shepherd
Caspar David Friedrich
1805–6

Mascarade à la Grecque; Suite des Vases; and [Cheminées], Ennemond Alexandre Petitot French, Etching — Mascarade à la Grecque; Suite des Vases; and [Cheminées]
Multiple artists/makers
1771, 1764

Phaeton, from "The Four Disgracers", Hendrick Goltzius Netherlandish, Engraving — Phaeton, from "The Four Disgracers"
Hendrick Goltzius
Cornelis Cornelisz van Haarlem
1588

Aman-Jean (Portrait of Edmond François Aman-Jean), Georges Seurat French, Conté crayon on Michallet paper — Aman-Jean (Portrait of Edmond François Aman-Jean)
Georges Seurat
Edmond-François Aman-Jean
1882–83

Queen Esther Approaching the Palace of Ahasuerus, Claude Lorrain (Claude Gellée) French, Pen and brown ink, brush and brown wash, heightened with white, over black chalk — Queen Esther Approaching the Palace of Ahasuerus
Claude Lorrain (Claude Gellée)
1658

Bacchanal with a Wine Vat, Andrea Mantegna Italian, Engraving and drypoint — Bacchanal with a Wine Vat
Andrea Mantegna
Before 1475

The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess, Marcantonio Raimondi Italian, Engraving — The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess
Marcantonio Raimondi
Raphael (Raffaello Sanzio or Santi)
ca. 1510–20

Tahitian Faces (Frontal View and Profiles), Paul Gauguin French, Charcoal on laid paper — Tahitian Faces (Frontal View and Profiles)
Paul Gauguin
ca. 1899

The Head of the Virgin in Three-Quarter View Facing Right, Leonardo da Vinci Italian, Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo) — The Head of the Virgin in Three-Quarter View Facing Right
Leonardo da Vinci
1510–13

Reading the News at the Weavers' Cottage, Adriaen van Ostade Dutch, Pen and brown ink, watercolor, white heightening, over traces of graphite; framing lines by the artist (?) in pen and brown ink and gold — Reading the News at the Weavers' Cottage
Adriaen van Ostade
1673

Portrait of Nicolas Trigault in Chinese Costume, Peter Paul Rubens Flemish, Black, red, and white chalk, blue pastel, and pen and brown and black ink on light brown laid paper — Portrait of Nicolas Trigault in Chinese Costume
Peter Paul Rubens
1617

Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso), Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) Italian, Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso) — Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)
Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)
1435–38

Édouard Manet, Seated, Holding His Hat, Edgar Degas French, Graphite and black chalk — Édouard Manet, Seated, Holding His Hat
Edgar Degas
Edouard Manet
ca. 1868

The Kaunitz Sisters (Leopoldine, Caroline, and Ferdinandine), Jean Auguste Dominique Ingres French, Graphite — The Kaunitz Sisters (Leopoldine, Caroline, and Ferdinandine)
Jean Auguste Dominique Ingres
Prince Wenzel von Kaunitz-Rietberg
1818

Music-Making Angels, Albrecht Dürer German, Pen and brown ink — Music-Making Angels
Albrecht Dürer
1521

Costume Study for Vaslav Nijinsky in the Role of Iksender in the Ballet "La Péri" (The Flower of Immortality), first performed in Paris, 1912, Léon Bakst Russian, born present day Belarus, Watercolor and gold and silver paints over graphite — Costume Study for Vaslav Nijinsky in the Role of Iksender in the Ballet "La Péri" (The Flower of Immortality), first performed in Paris, 1912
Léon Bakst
1922

Bacchanal, Nicolas Poussin French, Pen and brown ink, brush and brown wash, over faint black chalk — Bacchanal
Nicolas Poussin
ca. 1635–36

Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal), Canaletto (Giovanni Antonio Canal) Italian, Etching; undivided plate, only state — Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)
Canaletto (Giovanni Antonio Canal)
Joseph Smith
1741

Moulin Rouge: La Goulue, Henri de Toulouse-Lautrec French, Lithograph printed in four colors; three sheets of wove paper — Moulin Rouge: La Goulue
Henri de Toulouse-Lautrec
Affiches Américaines, Charles Lévy
1891

The Connoisseur, Honoré Daumier French, Pen and ink, wash, watercolor, lithographic crayon, and gouache over black chalk on wove paper — The Connoisseur
Honoré Daumier
ca. 1860–65

Seated Giant, Goya (Francisco de Goya y Lucientes) Spanish, Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape) — Seated Giant
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)

Self-Portrait, Goya (Francisco de Goya y Lucientes) Spanish, Brush and point of brush, carbon black ink — Self-Portrait
Goya (Francisco de Goya y Lucientes)
ca. 1796

God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), Goya (Francisco de Goya y Lucientes) Spanish, Brush, carbon black gray ink and was, scraper — God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)
Goya (Francisco de Goya y Lucientes)
ca. 1816–20

Nocturne: Palaces, James McNeill Whistler American, Etching and drypoint; printed in dark brown ink on drum mounted medium weight ivory laid paper. — Nocturne: Palaces
James McNeill Whistler
1879–80

Portrait of Emma Hamilton, Angelica Kauffmann Swiss, Black and white chalk, on gray prepared paper — Portrait of Emma Hamilton
Angelica Kauffmann
Lady Emma Hamilton
1791