Standing and Seated Figures in a Landscape with an Obelisk
Battista Pittoni (Italian, Vicenza ca. 1520–ca. 1583 Venice (?))
Pen and brown ink
8 3/8 x 7 1/4in. (21.3 x 18.4cm)
Bequest of Harry G. Sperling, 1971
Not on view
The drawing was listed by A.E. Popham as a work of an anonymous Venetian draftsman of the Sixteenth Century in the John B. Skippe collection catalogue of 1958 (Christie's, November 20-21, 1958, lot. 263B). The attribution was corrected to 'Circle of Nicolò dell'Abate' by Harry G. Sperling, who acquired the drawing during the Skippe sale and eventually donated the sheet to the Metropolitan Museum in 1975 (a hand-written annotation with this attribution remains on Sperling's own copy of the Skippe's catalogue in the Department of Drawings and Prints, MMA). Françoise Viatte in January of 1980 (written correspondance to Jacob Bean) recognized this drawing as a characteristic example of the work of Giovanni Battista Pittoni, a Veronese specialist in fantastic landscapes with Roman ruins. Pittoni's sprightly personality as a draughtsman has been defined in relation to his documented prints, and indeed drawings in the Witt Collection, London, the École des Beaux-Arts, Paris, the Nationalmuseum, Stockholm, and the collection of Emile Wolf, New York, are preparatory studies for engraved landscapes. Alessandro Ballarin supplied a brief summary of Pittoni's work as a draughman in his article published on "Arte Veneta" (vol. 25,1971, pp. 104-05). (F.R.)
John B. Skippe (British, 1742–1812 London); By descent to Mrs. A. D. Rayner-Wood Descendant of John Skippe; the Martin family including Edward Holland-Martin.; By descent to Edward Holland-Martin Descendant of John Skippe; the Martin family, including Mrs. A. D. Rayner-Wood.; Skippe Sale, Christie's, London11/20-21/1958, no. 263A, as Venetian SchoolNovember, 20-21, 1958, no. 263 A, as Venetian School, 16th century.; Harry G. Sperling (1906–1971)
Arthur Ewart Popham The Skippe Collection of Old Master Drawings Christie's London, November 20-21, 1958. 1958, p. 189, no. 263B (as Venetian School, XVI Century).
Jacob Bean, Lawrence Turčić 15th and 16th Century Italian Drawings in the Metropolitan Museum of Art. The Metropolitan Museum of Art, New York, 1982, cat. no. 179, fig. no. 179, p. 186, ill.
Artist: Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise)Date: 1480–85Medium: Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso)
Accession: 17.142.1On view in:The Met Floor 3
Artist: Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483–1520 Rome)Date: 1508–10Medium: Pen and brown ink over black chalk, partially incised with a stylus (recto); rubbed with black chalk for transfer (verso)Accession: 1997.153On view in:Not on view
Artist: Stefano da Verona (Stefano di Giovanni) (Italian, Verona (?) 1374/75–?ca. 1438 Castel Bragher)Date: 1435–38Medium: Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)Accession: 1996.364a, bOn view in:Not on view