Art/ Collection/ Collection/ Art Object
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Sloth (Desidia), from the series The Seven Deadly Sins

Artist:
Pieter van der Heyden (Netherlandish, ca. 1525–1569)
Artist:
After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels)
Publisher:
Hieronymus Cock (Netherlandish, Antwerp ca. 1510–1570 Antwerp)
Date:
1558
Medium:
Engraving
Dimensions:
Sheet: 8 15/16 x 11 5/8 in. (22.7 x 29.6 cm)
Classification:
Prints
Credit Line:
Harris Brisbane Dick Fund, 1926
Accession Number:
26.72.34
Not on view
Representing the vice of sloth, this image belongs to a series of prints of the Seven Deadly Sins, engraved by Pieter van der Heyden after drawings by Pieter Bruegel the Elder. The personification of sloth, a shabbily dressed woman, demonstratively sleeps away the time in the central foreground, resting her weight on the back of an ass. The various examples of lazy or slothful behavior, in evidence in the surrounding landscape, colorfully demonstrate the message of the inscription below: "Sloth makes man powerless and dries out the nerves until man is good for nothing." Each of the seven prints follows a similar compositional scheme, with the personification of the vice accompanied by a symbolic animal in the foreground. Bruegel also adopted a common setting and "look" for the series by depicting each scene in the style of Hieronymus Bosch, to whom Bruegel was often compared. Sloth features an assortment of fantastic creatures and a confused arrangement of hybrid structures reminiscent of Bosch's work. This reminiscent style, employed consciously by Bruegel, contrasts sharply with the way he depicted The Seven Virtues, a series of prints executed in the following years—all of them set in an accurate version of Bruegel's contemporary world.
Van Bastelaer 126; NH (Bruegel) 49.22; Hollstein III.277.126; Vienna 1967-68, no. 49; Brussels 1969, no. 19; Tokyo 1989, no. 19; Van Bastelaer 1992, no. 126; Rotterdam/MMA 2001, no. 53
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