Obverse, Kadmos and the snake Reverse, man between two women
Kadmos, son of Agenor king of Tyre, was told by the oracle at Delphi to follow a cow until she lay down and to found a city there. The place was Thebes. In order to sacrifice the cow to Athena, Kadmos needed water. The nearest spring was guarded by a serpent, son of Ares. The representation here shows Athena seconding Kadmos, who raises his hydria (water jar) against the serpent. Ares stands at the far right. The seated woman is probably the nymph associated with the spring or a personification of Thebes. Kadmos kills the monster, and sowing its teeth in the ground, he produces the inhabitants of the new city.
This artwork is meant to be viewed from right to left. Scroll left to view more.
Artwork Details
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
Title:Terracotta calyx-krater (bowl for mixing wine and water)
Artist:Attributed to the Spreckles Painter
Period:Classical
Date:ca. 450 BCE
Culture:Greek, Attic
Medium:Terracotta; red-figure
Dimensions:H. 18 in. (45.7 cm) diameter of mouth 17 5/8 in. (44.7 cm)
Classification:Vases
Credit Line:Rogers Fund, 1907
Accession Number:07.286.66
Inscription: Inscribed: "Eualkos is fair" and "Alones [misspelled] is fair"
Said to be from Agrigento
Richter, Gisela M. A. and Lindsley F. Hall. 1936. Red-Figured Athenian Vases in the Metropolitan Museum of Art. no. 127, pp. 160–61, pls. 126, 129, 170, New Haven: Yale University Press.
Richter, Gisela M. A. 1944, 1949. Greek Painting: The Development of Pictoral Representation from Archaic to Graeco-Roman Times. New York: The Metropolitan Museum of Art.
Richter, Gisela M. A. 1953. Handbook of the Greek Collection. p. 85, Cambridge, Mass.: Harvard University Press.
Beazley, John D. 1963[1942]. Attic Red-figure Vase-painters, Vols. 1 and 2, 2nd ed. p. 617, no. 2, Oxford: Clarendon Press.
Beazley, John D. 1971. Paralipomena: Additions to Attic Black-Figure Vase-Painters and to Attic Red-Figure Vase-Painters [2nd edition]. p. 398, Oxford: Clarendon Press.
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Museum's collection of Greek and Roman art comprises more than 30,000 works ranging in date from the Neolithic period to the time of the Roman emperor Constantine's conversion to Christianity in A.D. 312.