In 1486, Isabel of Castile, patroness of the explorer Christopher Columbus, commissioned an elaborate alabaster tomb for her parents, Juan II of Castile and Isabel of Portugal. This star-shaped tomb, still standing in the center of the church of the Carthusian monastery of Miraflores, outside Burgos, was made between 1489 and 1493 by Gil de Siloe, a sculptor thought to be of Netherlandish origin. This statuette of the patron saint of Spain is known from old photographs to have been originally placed near the head of the queen. The soft, translucent quality of alabaster provides an ideal medium for the artist's penchant for beautifully articulated drapery folds and facial details, which still bear traces of gilding and paint. Saint James is portrayed here as a pilgrim: a person who makes a journey to a sacred place as a holy act. As a traveler, he is shown well equipped with a staff, purse, water gourd, and traveler's hat, whose upturned brim is adorned with a scallop shell, the emblem of his shrine at Santiago de Compostela. Medieval pilgrims would similarly place such badges on their clothing to indicate the number of holy shrines they had visited.
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From the tomb of Juan II of Castile and Isabel of Portugal in the Cartuja de Miraflores, outside Burgos, Spain; Conde de las Almenas, Madrid (sold 1927) ; his sale, American Art Association, New York (January 13-15, 1927, lot 361) ; said to be in a Private Collection, Boston (in 1934) ; Reginald de Covan, New York ; André Tressley, New York (sold 1969)
New York. The Cloisters, The Metropolitan Museum of Art. "Medieval Art from Private Collections," October 30, 1968–March 30, 1969.
New York. The Metropolitan Museum of Art. "Patterns of Collecting: Selected Acquisitions, 1965–1975," December 6, 1975–March 23, 1976.
State Pushkin Museum of Fine Arts. "Dekorativno-Prikladnoe Iskusstvo ot Pozdnei Antichnosti do Pozdnei Gotiki," June–December 1989.
State Hermitage Museum, Leningrad. "Dekorativno-Prikladnoe Iskusstvo ot Pozdnei Antichnosti do Pozdnei Gotiki," February–July 1990.
National Gallery of Art, Washington D.C. "Alonso Berruguete: First Sculptor of Renaissance Spain," October 13, 2019–February 17, 2020.
Meadows Museum, Southern Methodist University. "Alonso Berruguete: First Sculptor of Renaissance Spain," March 29, 2020–January 10, 2021.
Cleveland Museum of Art. "Riemenschneider's St. Jerome and Late Medieval Alabaster Sculpture," March 26, 2023–July 23, 2023.
de Dios de la Rada y Delgado, Juan. "Sepulcro de Don Juan II en la Cartuja de Miraflores de Burgos." In Museo español de antigüedades. Vol. 3. Madrid, 1874. p. 322.
Important Mediaeval and Early Renaissance Works of Art from Spain: Sculptures, Furniture, Textiles, Tapestries and Rugs, Collection of Conde de las Almenas, Madrid, Spain. New York: American Art Association, January 13–15, 1927. no. 361, pp. 214–16.
García de Quevedo, Eloy. "Una estatua de la Cartuja de Miraflores." Boletín de la Comisión Provincial de Monumentos Históricos y Artísticos de Burgos 13, no. 49 (1934). pp. 125–32.
Wethey, Harold E. Gil de Siloe and His School: A Study of Late Gothic Sculpture in Burgos. Cambridge, MA: Harvard University Press, 1936. pp. 31–2, pl. 8.
Gómez-Moreno, Carmen. Medieval Art from Private Collections: A Special Exhibition at The Cloisters, October 30, 1968 through January 5, 1969. New York: The Metropolitan Museum of Art, 1968. no. 56.
The Metropolitan Museum of Art. "Ninety-Ninth Annual Report of the Trustees of The Metropolitan Museum of Art for the Fiscal Year 1968-1969." The Metropolitan Museum of Art Bulletin, n.s., 28, no. 2 (October 1969). p. 85.
Raggio, Olga, ed. "Medieval Art and the Cloisters." Notable Acquisitions (Metropolitan Museum of Art) no. 1965/1975 (1975). p. 151.
Young, Bonnie. A Walk Through The Cloisters. New York: The Metropolitan Museum of Art, 1979. p. 126.
Howard, Kathleen, ed. The Metropolitan Museum of Art Guide. New York: The Metropolitan Museum of Art, 1983. no. 31, p. 373.
Shepard, Mary B. Europe in the Middle Ages, edited by Charles T. Little, and Timothy B. Husband. New York: The Metropolitan Museum of Art, 1987. p. 150, pl. 138.
Gómez Bárcena, María Jesús. Escultura gótica funeraria en Burgos. Burgos: Excma. Diputación Provincial, 1988. p. 212.
Wixom, William D. "Medieval Sculpture at The Cloisters." The Metropolitan Museum of Art Bulletin, n.s., 46, no. 3 (Winter 1988-1989). p. 58.
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Pushkin Museum and State Hermitage Museum. Dekorativno-Prikladnoe Iskusstvo ot Pozdnei Antichnosti do Pozdnei Gotiki: Kratkii Katalog Vystavki. Moscow: Pushkin Museum, 1990. no. 81, pp. 8, 14.
State Hermitage Museum. Dekorativno-Prikladnoe Iskusstvo ot Pozdnei Antichnosti do Pozdnei Gotiki. St. Petersburg: State Hermitage Museum, 1990. no. 81, pp. 8, 168–69.
Levenson, Jay A. Circa 1492: Art in the Age of Exploration. Washington, D.C.: National Art Gallery, 1991. no. 48, pp. 52, 166–67.
Domínguez Casas, Rafael. Arte y etiqueta de los Reyes Católicos: Artistas, residencias, jardines y bosques. Madrid: Editorial Alpuerto, 1993. p. 107.
Howard, Kathleen, ed. The Metropolitan Museum of Art Guide. 2nd ed. New York: The Metropolitan Museum of Art, 1994. no. 31, p. 407.
Sobré, Judith Berg, and Lynette M. F. Bosch, ed. The Artistic Splendor of the Spanish Kingdoms: the Art of Fifteenth-Century Spain. Boston: Isabella Stewart Gardner Museum, 1996. no. 13, pp. 53–55.
Pereda Espeso, Felipe. "El cuerpo muerto del rey Juan II, Gil de Siloé, y la imaginación escatológica (Observaciones sobre el lenguaje de la escultura en la alta Edad Moderna)." Anuario del Departamento de Historia y Teoría del Arte 13 (2001). p. 56.
Jiménez-Blanco, María Dolores, and Cindy Mack. Arte español en Nueva York: Guía. Madrid: Hispanic Society of America, 2004. p. 113.
Barnet, Peter, and Nancy Y. Wu. The Cloisters: Medieval Art and Architecture. New York and New Haven: The Metropolitan Museum of Art, 2005. no. 94, pp. 153, 198.
Martínez Ruiz, María José. "Luces y sombras del coleccionismo artístico en las primeras décadas del siglo XX: El Conde de las Almenas." Goya 307-308 (July-October 2005). p. 290, ill. p. 283.
Martínez Ruiz, María José. "Las aventuradas labores de restauración del Conde de las Almenas en la Cartuja de Miraflores." Goya 313/314 (July - October 2006). pp. 290, 299–300, fig. ill. p. 293.
Pardo, Francisco Fernández. Dispersión y Destrucción del Patrimonio Artístico Español. Vol. 4. Madrid: Fundación Universitaria Española, 2007. pp. 560–61, 571, fig. 236.
Barnet, Peter, and Nancy Y. Wu. The Cloisters: Medieval Art and Architecture. 75th Anniversary ed. New York and New Haven: The Metropolitan Museum of Art, 2012. p. 140.
Sandoval, José. "El "Santiago" de Gil de Siloé en Manhattan y en la Cartuja de Miraflores." Peregrino: Revista del Camino de Santiago 149 (2013). p. 9.
Kasl, Ronda. The Making of Hispano-Flemish Style: Art, Commerce, and Politics in Fifteenth-Century Castille. Me fecit. Turnhout: Brepols, 2014. pp. 134–35, fig. 87.
Stein, Wendy A. How to Read Medieval Art. New York: The Metropolitan Museum of Art, 2016. no. 18, pp. 12, 16, 74–75, ill. p. 6.
Dickerson, C.D. III. "Beginnings in Castile." In Alonso Berruguete: first sculptor of Renaissance Spain. Washington, D.C.: National Gallery of Art, Washington D.C., 2019. p. 4, fig. 3, 4.
Dickerson, C.D. III, and Mark McDonald, ed. Alonso Berruguete: first sculptor of Renaissance Spain. Washington, D.C.: National Gallery of Art, Washington D.C., 2019. fig. p. 194.
Lutz, Gerhard, ed. Riemenschneider and Late Medieval Alabaster. Lewes: D Giles Limited, 2023. pl. 15, pp. 25, 158–163.
Barbara Drake Boehm, Paul and Jill Ruddock Curator, explores the legend of Saint James and his shrine in Spain and the many depictions of him in the Met's collection.
Managing Horticulturist Caleb Leech discusses medieval attitudes toward the gourd, the history of the fruit, and its presence in the Bonnefont Herb Garden at The Cloisters.
Francí Gomar (Spanish, Aragon, active by 1443–died ca. 1492/3)
ca. 1456–1458
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