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The American Wing

About Us

Visitors to the American Wing will experience in more than 75 galleries on three floors varied art, design, and culture from the mid-seventeenth to the mid-twentieth century, with some contemporary expressions, by a diverse array of artists from across North America. Since our founding in 1924, this curatorial department has evolved its collecting to include some 20,000 artworks in many mediums by African American, Asian American, Euro-American, Latin American, and Native American makers, affirming ever more inclusive definitions of American art and identity. These dynamic holdings include painting, sculpture, drawing, furniture, textiles, regalia, ceramics, basketry, glass, silver, metalwork, jewelry, as well as historic interiors and architectural fragments, produced by highly trained and self-taught artists, both identified and unrecorded. Monumental sculpture, stained glass, and architectural elements are installed in the Charles Engelhard Court; silver, gold, glass, and ceramics on the courtyard balconies. Narratives of American domestic architecture and furnishings are explored in twenty historical interiors, or period rooms. Changing rotations of painting, sculpture, works on paper, and textiles appear throughout the Wing.

Since its establishment in 1870, The Met has acquired significant examples of American art. A separate American Wing to display Euro-American domestic arts of the seventeenth to early nineteenth centuries opened in 1924; painting and sculpture galleries and a skylit courtyard were added in 1980. A major renovation and reinstallation of the Wing’s space and collection occurred between 2002 and 2012, and, in 2024, the department marked its 100th anniversary with a new reinstallation highlighting its history and ongoing evolution.

The Metropolitan Museum of Art is situated in Lenapehoking, homeland of the Lenape diaspora, and historically a gathering and trading place for many diverse Native Peoples, who continue to live and work on this island. We respectfully acknowledge and honor all Indigenous communities—past, present, and future—for their ongoing and fundamental relationships to the region.


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Cabinet, Daniel Pabst  American, born Germany, Walnut, maple, white pine, glass, American
Attributed to Daniel Pabst
Designer Attributed to Frank Furness
ca. 1873–76
Bowl and Stand, Marie Zimmermann  American, Copper, wrought iron, enamel paint, American
Marie Zimmermann
ca. 1922
At the Seaside, William Merritt Chase  American, Oil on canvas, American
William Merritt Chase
ca. 1892
Quilt, Tumbling Blocks with Signatures pattern, Adeline Harris Sears  American, Silk, American
Adeline Harris Sears
begun 1856
Wine cup, John Hull  American, Silver, American
John Hull
Robert Sanderson Sr.
ca. 1660
The Broncho Buster, Frederic Remington  American, Bronze, American
Frederic Remington
Founder Cast by Roman Bronze Works
1895, revised 1909, cast by November 1910
High chest of drawers, Japanned maple, japanned white pine, white pine, japanned birch; brass, American
American
1740–60
Abraham Lincoln: The Man (Standing Lincoln), Augustus Saint-Gaudens  American, Bronze, American
Augustus Saint-Gaudens
1884–87; reduced 1910; cast 1911
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