Nous travaillons à la traduction de cette page dès que possible. Merci de votre compréhension.
Gold statue of a nude woman, pointing a bow and arrow in the direction of a stately gray facade.
i

The American Wing

About Us

Visitors to the American Wing will experience in more than 75 galleries on three floors varied art, design, and culture from the mid-seventeenth to the mid-twentieth century, with some contemporary expressions, by a diverse array of artists from across North America. Since our founding in 1924, this curatorial department has evolved its collecting to include some 20,000 artworks in many mediums by African American, Asian American, Euro-American, Latin American, and Native American makers, affirming ever more inclusive definitions of American art and identity. These dynamic holdings include painting, sculpture, drawing, furniture, textiles, regalia, ceramics, basketry, glass, silver, metalwork, jewelry, as well as historic interiors and architectural fragments, produced by highly trained and self-taught artists, both identified and unrecorded. Monumental sculpture, stained glass, and architectural elements are installed in the Charles Engelhard Court; silver, gold, glass, and ceramics on the courtyard balconies. Narratives of American domestic architecture and furnishings are explored in twenty historical interiors, or period rooms. Changing rotations of painting, sculpture, works on paper, and textiles appear throughout the Wing.

Since its establishment in 1870, The Met has acquired significant examples of American art. A separate American Wing to display Euro-American domestic arts of the seventeenth to early nineteenth centuries opened in 1924; painting and sculpture galleries and a skylit courtyard were added in 1980. A major renovation and reinstallation of the Wing’s space and collection occurred between 2002 and 2012, and, in 2024, the department marked its 100th anniversary with a new reinstallation highlighting its history and ongoing evolution.

The Metropolitan Museum of Art is situated in Lenapehoking, homeland of the Lenape diaspora, and historically a gathering and trading place for many diverse Native Peoples, who continue to live and work on this island. We respectfully acknowledge and honor all Indigenous communities—past, present, and future—for their ongoing and fundamental relationships to the region.


View More Department Info
Crown of the Virgin of the Immaculate Conception, known as the Crown of the Andes, Gold, repoussé and chased; emeralds, Colombian; Popayán
Colombian; Popayán
Ca. 1660 (diadem) and ca. 1770 (arches)
Emma Van Name, Joshua Johnson  American, Oil on canvasPainting
Joshua Johnson
ca. 1805
Brooch, Marcus and Co.  American, Plique-à-jour enamel, conch pearl, diamond, platinum and eighteen karat gold, American
Manufacturer Marcus and Co.
ca. 1900
Nocturne, John La Farge  American, Watercolor, gouache, and charcoal on off-white wove paper
 adhered to wove paper, American
John La Farge
ca. 1885
Cabinet, Daniel Pabst  American, born Germany, Walnut, maple, white pine, glass, American
Attributed to Daniel Pabst
Designer Attributed to Frank Furness
ca. 1873–76
Embroidered Picture, Mary Wright  American, Linen embroidered with wool and silk thread, American
Mary Wright
Possibly Sarah Osborn's School
ca. 1754
Nurse and Child, Mary Cassatt  American, Pastel on wove paper (originally blue), mounted on canvas, American
Mary Cassatt
1896–97
View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow, Thomas Cole  American, Oil on canvas, American
Thomas Cole
1836
Showing 8 of 125



A slider containing 11 items.
Press the down key to skip to the last item.