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Gold statue of a nude woman, pointing a bow and arrow in the direction of a stately gray facade.

The American Wing

About Us

Visitors to the American Wing will experience in more than 75 galleries on three floors varied art, design, and culture from the mid-seventeenth to the mid-twentieth century, with some contemporary expressions, by a diverse array of artists from across North America. Since our founding in 1924, this curatorial department has evolved its collecting to include some 20,000 artworks in many mediums by African American, Asian American, Euro-American, Latin American, and Native American makers, affirming ever more inclusive definitions of American art and identity. These dynamic holdings include painting, sculpture, drawing, furniture, textiles, regalia, ceramics, basketry, glass, silver, metalwork, jewelry, as well as historic interiors and architectural fragments, produced by highly trained and self-taught artists, both identified and unrecorded. Monumental sculpture, stained glass, and architectural elements are installed in the Charles Engelhard Court; silver, gold, glass, and ceramics on the courtyard balconies. Narratives of American domestic architecture and furnishings are explored in twenty historical interiors, or period rooms. Changing rotations of painting, sculpture, works on paper, and textiles appear throughout the Wing.

Since its establishment in 1870, The Met has acquired significant examples of American art. A separate American Wing to display Euro-American domestic arts of the seventeenth to early nineteenth centuries opened in 1924; painting and sculpture galleries and a skylit courtyard were added in 1980. A major renovation and reinstallation of the Wing’s space and collection occurred between 2002 and 2012, and, in 2024, the department marked its 100th anniversary with a new reinstallation highlighting its history and ongoing evolution.

The Metropolitan Museum of Art is situated in Lenapehoking, homeland of the Lenape diaspora, and historically a gathering and trading place for many diverse Native Peoples, who continue to live and work on this island. We respectfully acknowledge and honor all Indigenous communities—past, present, and future—for their ongoing and fundamental relationships to the region.


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Inside the Bar, Winslow Homer  American, Watercolor and graphite on off-white wove paper, American
Winslow Homer
1883
Card table, Charles-Honoré Lannuier  American, Mahogany veneer, white pine, yellow poplar, gilded gesso, vert antique, and gilded brass, American
Charles-Honoré Lannuier
1817
Approaching Thunder Storm, Martin Johnson Heade  American, Oil on canvas, American
Martin Johnson Heade
1859
Garden View, Brooklyn, Fidelia Bridges  American, Watercolor and gouache, with traces of graphite underdrawing, on tan hot-pressed wove paper, American
Fidelia Bridges
ca. 1867
Covered goblet, New Bremen Glass Manufactory, Blown and engraved glass, American
New Bremen Glass Manufactory
John Frederick Amelung
1788
Corsage Piece, Tiffany & Co., Silver, gold, diamonds, American
Tiffany & Co.
1880–95
The Battle of the Little Bighorn, Standing Bear/ Mató Nájin  Minneconjou Lakota/Teton Sioux, Pencil, ink, and watercolor on muslin, Minneconjou Lakota/ Teton Sioux, Native American
Standing Bear/ Mató Nájin
ca. 1920
Osage Warrior, Charles Balthazar Julien Févret de Saint-Mémin  French, Watercolor and graphite on off-white wove paper, American
Charles Balthazar Julien Févret de Saint-Mémin
1805–7
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