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أورانا ماريا (تحيّة مريم العذراء)

Paul Gauguin French

1891م

On view at The Met Fifth Avenue in Gallery 825

قبل أن يُنجز غوغان سلسلة لوحاته التي استوحاها من الاعتقادات الدينيّة في بولينيزيا، خصّص أولى لوحاته الكبيرة التي رسمها في تاهيتي لموضوع أثير في المسيحيّة وصفه في رسالة له كتبها في شهر مارس 1892م قائلا: «ملك بجناحَين أصفرَين يُرِي مريم ويسوع، وهما في هيئة أهل تاهيتي، إلى امرأتين من تاهيتي عاريتَين إلاّ من تنّورتَين مميّزتَين. والتنورة، عندهم، ضرب من الأنسجة القطنيّة الموشّاة بورود تُلفّ على الخصر. وفي الخلفيّة جبل معتم وشجر مزهر». ويحيل عنوان اللّوحة إلى الكلمات الأولى التي ألقاها جبريل على مريم العذراء عند البشارة. و «أورانا» هي عبارة التحيّة في تاهيتي.

Ia Orana Maria (Hail Mary), Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands), Oil on canvas — Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Ia Orana Maria (Hail Mary), Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands), Oil on canvas

Ia Orana Maria (Hail Mary), Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands), Oil on canvas

Ia Orana Maria (Hail Mary), Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands), Oil on canvas

Ia Orana Maria (Hail Mary), Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands), Oil on canvas

Ia Orana Maria (Hail Mary), Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands), Oil on canvas

Ia Orana Maria (Hail Mary), Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands), Oil on canvas

Ia Orana Maria (Hail Mary), Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands), Oil on canvas

Ia Orana Maria (Hail Mary), Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands), Oil on canvas

This artwork is meant to be viewed from right to left. Scroll left to view more.

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Fig. 1. Paul Gauguin, Letter to Daniel de Monfreid, March 11, 1892 (Fondation Custodia, Collection Frits Lugt, Paris)

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Fig. 2. Paul Gauguin, "Yellow Christ," 1889, oil on canvas, 36 1/4 x 28 7/8 inches (92.07 x 73.34 cm) (Albright-Knox Art Gallery, Buffalo)

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Fig. 3. Anonymous, Dancers at the Javanese Village, 1889, albumen print (Bibliothèque historique de la ville de Paris, Paris Album 4029)

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Fig. 4. Anonymous, Relief from Temple at Borobudur, Java (Top register: The Tathagat Meets an Ajiwaka Monk on the Benares Road; bottom register: Merchant Maitraknayake Greeted by Nymphs), albumen photograph, 9 ¼ x 11 ½ in. (23.5 x 29.2 cm), formerly in the collection of Paul Gauguin (Musée de Tahiti et des îles/Te Fare Manaha, Tahiti)

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Fig. 5. Anonymous, Relief from Temple of Borobudur, Java (Top register: The Assault of Mara; bottom register: Scene from the Bhallatiya-Jakata), albumen photograph, 9 ½ x 11 3/8 in. (24.1 x 28.9 cm), formerly in the collection of Paul Gauguin (Musée de Tahiti et des îles/Te Fare Manaha, Tahiti)

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Fig. 6. Paul Gauguin,"Faa Iheihe," 1898, oil on canvas, 21 ¼ x 66 ¾ in. (54 x 169.5 cm) (Tate Modern, London)

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Fig. 7. Paul Gauguin, "Change of Residence," from the Suite of Late Wood-Block Prints, ca. 1899, woodcut printed in ochre and black on thin Japanese tissue pasted to ivory wove paper, 6 ½ x 11 7/8 in. (Art Institute of Chicago)

العنوان: أورانا ماريا (تحيّة مريم العذراء)

الفنان: بول غوغان.فرنسيّ، 1848 – 1903م

التاريخ: 1891م

الوسيط: زيت على القماش

المقاسات: 113.7 × 87.6 سم

الخط التمويلي: وصية سام أ. لويسون، 1951م

رقم الوصول: 51.112.2

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