Olive Trees at Tivoli

George Inness American
1873
Not on view
Widely regarded in the late nineteenth century as America’s premier landscape painter, Inness played a pivotal role in the transition from the literalism of the landscapes of the Hudson River School to a more subjective style inspired by French painting. Motivated by the increasing popularity of watercolor in the United States in the 1870s, he began experimenting in the medium during an extended trip to Italy (1870–74). He made fewer than fifty watercolors; they were never exhibited or sold, but they inspired his oil paintings. This view of the countryside near Tivoli balances a picturesque composition, fine draftsmanship, and painterly breadth. Centered on the horizon is a minute but distinct cupola, probably Saint Peter’s Basilica in Rome, about eighteen miles away.

Artwork Details

Object Information
  • Title: Olive Trees at Tivoli
  • Artist: George Inness (American, Newburgh, New York 1825–1894 Bridge of Allan, Scotland)
  • Date: 1873
  • Culture: American
  • Medium: Gouache, watercolor, and graphite on blue wove paper with colored fibers
  • Dimensions: 7 x 12 3/8 in. (17.8 x 31.4 cm)
  • Credit Line: Morris K. Jesup Fund, 1989
  • Object Number: 1989.287
  • Curatorial Department: The American Wing

More Artwork

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.