The Old Courtesan (La Belle qui fut heaulmière)
Auguste Rodin French
Incorporated into the left pilaster on The Gates of Hell, the withered old woman evoked a moral connection between sin and the ravages of time. The harrowing veracity of the independent sculpture accords with a statement of Rodin’s: "Character is the intense truth of any natural [sight], beautiful or ugly."
This artwork is meant to be viewed from right to left. Scroll left to view more.