Erminia and the Shepherd (from a set of Scenes from Gerusalemme Liberata)

Designed by Domenico Paradisi Italian
 Woven at the San Michele
Workshop director Pietro Ferloni Italian

Not on view

Commissioned by Cardinal Pietro Ottoboni, a great-nephew of Pope Alexander VIII, this was part of a massive series, heroic in scale as well as narrative, of fifteen tapestries depicting the romanticized version of the Christians’ First Crusade into Jerusalem recounted in Tasso’s sixteenth-century epic poem, Gerusalemme Liberata (Jerusalem Delivered).


In a gentle illusionistic interplay of spatial projection and recession, double-headed eagles (alluding to the Ottoboni arms), settle on the imposing sculptural surround to a landscape scene in which the Turkish princess, Erminia, fleeing from Christian soldiers, seeks shelter with a shepherd and his family.

Erminia and the Shepherd (from a set of Scenes from Gerusalemme Liberata), Designed by Domenico Paradisi (Italian, active 1689–1721), Wool, silk (16-18 warps per inch, 7 per cm.), Italian, Rome

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Erminia and the Shepherd (from a set of Scenes from Gerusalemme Liberata), Designed by Domenico Paradisi (Italian, active 1689–1721), Wool, silk (16-18 warps per inch, 7 per cm.), Italian, Rome
Erminia and the Shepherd (from a set of Scenes from Gerusalemme Liberata), Designed by Domenico Paradisi (Italian, active 1689–1721), Wool, silk (16-18 warps per inch, 7 per cm.), Italian, Rome
Erminia and the Shepherd (from a set of Scenes from Gerusalemme Liberata), Designed by Domenico Paradisi (Italian, active 1689–1721), Wool, silk (16-18 warps per inch, 7 per cm.), Italian, Rome
Erminia and the Shepherd (from a set of Scenes from Gerusalemme Liberata), Designed by Domenico Paradisi (Italian, active 1689–1721), Wool, silk (16-18 warps per inch, 7 per cm.), Italian, Rome
Erminia and the Shepherd (from a set of Scenes from Gerusalemme Liberata), Designed by Domenico Paradisi (Italian, active 1689–1721), Wool, silk (16-18 warps per inch, 7 per cm.), Italian, Rome

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