This figurine is typical of Cypriot coroplastic art of the Late Cypriot II and III periods. The type, with the pubic triangle accentuated and the breasts clearly shown, is likely of Syrian origin, but Cypriot sculptors created their own variations. Handmade and hollow, it has a shaved surface. Her eyes are pellets surrounded by rings. In each large flat ear are two perforations, each containing an earring; the lower ones have overlapping terminals. The infant stretches out its arms and has depressed circles for its eyes.
Said to be from Nicosia-Ayia Paraskevi
Cesnola, Luigi Palma di. 1894. A Descriptive Atlas of the Cesnola Collection of Cypriote Antiquities in the Metropolitan Museum of Art, New York, Vol. 2. pl. II.11, Boston: James R. Osgood and Company.
Metropolitan Museum of Art. 1895. The Terracottas and Pottery of the Cesnola Collection of Cypriote Antiquities in Halls 4 and 15. no. 57, p. 6, New York: The Metropolitan Museum of Art.
Richter, Gisela M. A. 1908. "Greek and Roman Terracottas in The Metropolitan Museum of Art." The International Studio, 36: p. 67, fig. 1.
Myres, John L. 1914. Handbook of the Cesnola Collection of Antiquities from Cyprus. no. 2012, p. 335, New York: The Metropolitan Museum of Art.
Orphanides, Andreas G. 1983. ""Bronze Age Anthropomorphic Figurines in the Cesnola Collection at the Metropolitan Museum of Art." Master's Diss.." Master's Diss. no. 9, pp. 11–12, pl. XI.
Merrillees, Robert S. 1988. "Mother and Child: A Late Cypriot Variation on an Eternal Theme." Mediterranean Archaeology, : p. 48.
Karageorghis, Vassos. 1993. The Coroplastic Art of Ancient Cyprus, Vol. 2. no. A(ii)5, p. 6, pl. III.8, Nicosia: Foundation Anasatasios G. Leventis.
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