The model depicts, in considerable detail, the features of a contemporary vessel. It includes the helmsman sitting in the bow. All of the preserved ship models come from Amathus, indicating the importance of the site as a maritime center.
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Credit Line:The Cesnola Collection, Purchased by subscription, 1874–76
Object Number:74.51.1752
Cesnola, Luigi Palma di. 1877. Cyprus: Its Ancient Cities, Tombs, and Temples. A Narrative of Researches and Excavations During Ten Years' Residence in That Island. p. 259, London: John Murray.
Cesnola, Luigi Palma di. 1894. A Descriptive Atlas of the Cesnola Collection of Cypriote Antiquities in the Metropolitan Museum of Art, New York, Vol. 2. pl. LXXVII.702, New York: The Metropolitan Museum of Art.
Myres, John L. 1914. Handbook of the Cesnola Collection of Antiquities from Cyprus. no. 2127, p. 348, New York: The Metropolitan Museum of Art.
McClees, Helen and Christine Alexander. 1933. The Daily Life of the Greeks and Romans: As Illustrated in the Classical Collections, 5th ed. pp. 117, 120, fig. 146, New York: The Metropolitan Museum of Art.
McClees, Helen and Christine Alexander. 1941. The Daily Life of the Greeks and Romans: As Illustrated in the Classical Collections, 6th ed. pp. 117, 120, fig. 146, New York: The Metropolitan Museum of Art.
Nickel, Helmut. 1969. Warriors and Worthies: Arms and Armor Through the Ages. p. 24, p. 24, ill, New York: Atheneum.
Göttlicher, Arvid. 1978. Materialien für ein Corpus der Schiffsmodelle im Altertum. no. 162, p. 36, pl. 11.162, Mainz am Rhein: P. von Zabern.
Westerberg, Karin. 1983. Cypriote ships from the Bronze age to c. 500 BC. no. 50, pp. 41–42, 48, 50-51, 53, 57, 61, 63, 66, fig. 50, Gothenburg: Paul Aströms Förlag.
Basch, Lucien. 1987. Le musée imaginaire de la marine antique. pp. 250, 252–54, figs. 536–42, Athènes: Institut hellénique pour la préservation de la tradition nautique.
Karageorghis, Vassos. 1995. The Coroplastic Art of Ancient Cyprus, Vol. 4. no. II(vi)10, p. 130, pl. LXXVI.4, Nicosia: Foundation Anastasios G. Leventis.
Barnes, Lorna and Ellen Salzman. 1998. "Preliminary Investigations of Surface Decoration on a Group of Ancient Terracottas from Cyprus." Glass, Ceramics and Related Materials : ICOM Committee for Conservation Glass, Ceramics, and Related Materials Working Group, & Institute of Arts and Design Department of Conservation Studies, Alice B. Paterakis, ed. p. 82, Vantaa, Finland: EVTEK Institute of Art and Design, Dept. of Conservation Studies.
Basch, Lucien. 1999. "Un modèle de navire chypriote du VIe siècle av. J.-C. trouvé en mer au large d'Amathonte." Bulletin de Correspondance Hellénique, 123(1): p. 46 n. 5, p. 54 n. 46.
Karageorghis, Vassos, Joan Mertens, and Marice E. Rose. 2000. Ancient Art from Cyprus: The Cesnola Collection in The Metropolitan Museum of Art. no. 253, p. 158, New York: The Metropolitan Museum of Art.
Hermary, Antoine. 2000. Amathonte: Les figurines en terre cuite, archaïques et classiques, les sculptures en pierre, Vol. 5. p. 49, Paris: Editions Recherché sur les Civilisations.
Picón, Carlos A. 2007. Art of the Classical World in the Metropolitan Museum of Art: Greece, Cyprus, Etruria, Rome no. 287, pp. 246, 462, New York: The Metropolitan Museum of Art.
Mertens, Joan R. 2010. How to Read Greek Vases. pp. 48–9, fig. 25, New York: The Metropolitan Museum of Art.
Karageorghis, Vassos, Gloria Merker, and Joan R. Mertens. 2016. The Cesnola Collection of Cypriot Art : Terracottas. no. 91, pp. 56, 255, Online Publication, [CD-Rom 2004], New York: The Metropolitan Museum of Art.
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The Museum's collection of Greek and Roman art comprises more than 30,000 works ranging in date from the Neolithic period to the time of the Roman emperor Constantine's conversion to Christianity in A.D. 312.
