The worshiper wears bracelets, a belt, and a kilt decorated with uraei. He may have had a painted pectoral. The first Egyptian influences on Archaic Cypriot sculpture manifest themselves in the kilt and very broad-shouldered proportions. In time, not only are more Egyptian accessories included but Greek influence also becomes evident in the softer, looser articulation of the body.
Artwork Details
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Title:Limestone male figure in Egyptian dress
Period:Archaic
Date:mid-6th century BCE
Culture:Cypriot
Medium:Limestone
Dimensions:41 1/4 × 19 × 10 in., 280 lb. (104.8 × 48.3 × 25.4 cm, 127 kg)
Classification:Stone Sculpture
Credit Line:The Cesnola Collection, Purchased by subscription, 1874–76
Object Number:74.51.2471
Sanctuary of Golgoi–Ayios Photios
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Cesnola, Luigi Palma di. 1885. A Descriptive Atlas of the Cesnola Collection of Cypriote Antiquities in the Metropolitan Museum of Art, New York, Vol. 1. pl. IX.11, Boston: James R. Osgood and Company.
Perrot, Georges and Charles Chipiez. 1885. Histoire de l'Art dans l'Antiquité. t. 3, Phénicie, Cypre. p. 529, fig. 355, Paris: Hachette.
Myres, John L. 1914. Handbook of the Cesnola Collection of Antiquities from Cyprus. no. 1356, New York: The Metropolitan Museum of Art.
Richter, Gisela M. A. 1942. Kouroi: A Study of the Development of the Greek Kouros from the Late Seventh to the Early Fifth Century B.C.. fig. 468, New York: Oxford University Press.
Gjerstad, Einar. 1948. The Swedish Cyprus Expedition: The Cypro-Geometric, Cypro-Archaic, and Cypro-Classical Periods, Vol. 4(2). pl X.2, Stockholm: The Swedish Cyprus Expedition.
Hermary, Antoine. 1985. "Un nouveau chapiteau hathorique trouvé à Amathonte." Bulletin de Correspondance Hellénique, 109(2): p. 685 n. 92.
Karageorghis, Vassos, Joan Mertens, and Marice E. Rose. 2000. Ancient Art from Cyprus: The Cesnola Collection in The Metropolitan Museum of Art. no. 180, p. 115, New York: The Metropolitan Museum of Art.
Karageorghis, Vassos. 2002. Early Cyprus: Crossroads of the Mediterranean. pl. 391, Los Angeles, California: J. Paul Getty Museum.
Karageorghis, Vassos. 2002. "The Greeks in Cyprus." The Greeks beyond the Aegean : from Marseilles to Bactria : papers presented at an international symposium held at the Onassis Cultural Center, New York, 12th October, 2002, Vassos Karageorghis, ed. pp. 16–7, fig. 13, Nicosia: Kailas Printers and Lithographers Ltd.
Faegersten, Fanni. 2003. The Egyptianizing Male Limestone Statuary from Cyprus: a study of a cross-cultural eastern Mediterranean votive type. no. 29, p. 348, pls. 7.3, 28, Lund, Sweden: The Historical Museum at Lund University.
Höckmann, Ursula. 2004. "Rezeption und Umbildung einiger ägyptischer Motive an den zyprisch-griechischen Kouros-statuetten aus Naukratis: Eine Fallstudie zu Kulturkontakten." Kultur, Sprache, Kontakt. p. 250, fig. 16, Wurzburg: Ergon.
Stylianou, Andreas and Patrick Schollmeyer. 2007. "Der Sarkophag aus Golgoi." Dynastensarkophage mit szenischen Reliefs aus Byblos und Zypern: Der Sarkophag aus Amathous als Beispiel kontaktinduzierten Wandels, 2. p. 220 n. 213, Mainz am Rhein: Philipp von Zabern.
Hermary, Antoine. 2009. "Ionian styles in Cypriote sculpture of the sixth century BC." Cyprus and the East Aegean: Intercultural Contacts from 3000 to 500 BC. An International Archaeological Symposium held at Pythagoreion, Samos, October 17th – 18th 2008, Prof. Vassos Karageorghis and Ourania Kouka, eds. p. 246 n. 6, Nicosia: A.G. Leventis Foundation.
Hermary, Antoine and Joan R. Mertens. 2013. The Cesnola Collection of Cypriot Art : Stone Sculpture. no. 59, pp. 72–3, 78, Online Publication, New York: The Metropolitan Museum of Art.
Sørensen, Lone Wriedt. 2017. "True to type? Archaic Cypriot male statues made of limestone." Proceedings of the Danish Institute at Athens, VIII. pp. 67–68, fig. 11, Denmark: Aarhus University Press.
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