The green-stained ivory grip is carved with a delicacy that recalls many ivory objects made for the Ottoman court. The blade is inscribed in Turkish and Persian, the languages used at the Ottoman court: I besought a drink of water from your trenchant dagger, what if but once you should let me drink, what would you lose? If I thirst, his dagger is not laid down.
Inscription: Blade inscribed in Turkish and Persian: "I besought a drink of water from your trenchant dagger, what if but once you should let me drink, what would you lose? If I thirst, his dagger is not laid down."
Marking: On acanthus-shaped chape: mark of Turkish silver-smith
George Cameron Stone, New York (until d. November 18, 1935; his bequest to MMA).
New York. The Metropolitan Museum of Art. "The Bright Side of the Battle: Symbol and Ceremony in Islamic Arms and Armor," January 17–September 1, 1985.
Nuri, Pere. Osmanlılarda Madenî Paralar: Yapı Ve Kredi Bankasının Osmanlı Madenî Paraları Kolleksiyonu. Istanbul: Yapı ve Kredi Bankası, 1968. pp. 218–225, plates 43–45, ill.
Alexander, David G. "Two Aspects of Islamic Arms and Armor." Metropolitan Museum Journal 18 pp. 106-107, fig. 1, ill.
Alexander, David, Stuart W. Pyhrr, and Will Kwiatkowski. Islamic Arms and Armor in the Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 2015. pp. 196-197, cat. no. 76, ill.
Artist: Andreas Munsten, German, Solingen, active ca. 1600, or Peter Munsten (German, Solingen, mentioned 1591–1627) Date: ca. 1620–30Medium: Steel, gold, iron, woodAccession: 04.3.7On view in:Gallery 376