Terracotta neck-amphora (jar)
Greek, South Italian, Campanian
Around vase, procession of figures to an altar
Of the major regions in Southern Italy producing painted vases, only Campania had a significant black-figure output. As the present example indicates, the technique employs a minimum of incision, making it closer to silhouette than actual figure. While dependent on Attic models, a piece such as this one is distinct in the decoration that circles the vase rather than being divided by the handles into front and back.
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