Pair of gold earrings with elaborate disc and boat-shaped pendant, part of the Madytos Jewelry.
This group of jewelry is said to have come from a tomb at Madytos on the European side of the Hellespont. The gold diadem is richly worked in repousse with an elaborate floral pattern. Dionysos, the god of wine, and his wife, Ariadne, sit in the center; muses playing musical instruments perch among the vines and along the sides. The tiny figure of a must playing a lyre also appears just above the crescent form on each of the boat-shaped earrings. The seedlike pendants of the earrings are identical to those on the elaborate necklace.
This image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
This artwork is meant to be viewed from right to left. Scroll left to view more.
Artwork Details
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
Title:Pair of gold earrings with disk and boat-shaped pendant
Period:Hellenistic
Date:ca. 330–300 BCE
Culture:Greek
Medium:Gold
Dimensions:Overall: 3 in., 0.2lb. (7.6 cm, 0.1kg) Diam.: 3/4 in. (1.9 cm)
Classification:Gold and Silver
Credit Line:Rogers Fund, 1906
Object Number:06.1217.11, .12
Said to be from Madytos in the Thracian Chersonesos
Robinson, Edward. 1906. "Greek Jewelry." Bulletin of the Metropolitan Museum of Art, 1(9): pp. 118–20.
Richter, Gisela M. A. 1917. Handbook of the Classical Collection. p. 150, fig. 95, New York: The Metropolitan Museum of Art.
Richter, Gisela M. A. 1927. Handbook of the Classical Collection. p. 328, fig. 230, New York: The Metropolitan Museum of Art.
Alexander, Christine. 1928. Jewelry: The Art of the Goldsmith in Classical Times as Illustrated in the Museum Collection. p. 29, fig. 55, New York: The Metropolitan Museum of Art.
Richter, Gisela M. A. 1930. Handbook of the Classical Collection. p. 330, fig. 233, New York: The Metropolitan Museum of Art.
Grancsay, Stephen V. 1940. "The Art of the Jeweler: A Special Exhibition." Bulletin of the Metropolitan Museum of Art, 35(11): pp. 211, 216.
Richter, Gisela M. A. 1953. Handbook of the Greek Collection. pp. 156, 289, pl. 129a, Cambridge, Mass.: Harvard University Press.
von Bothmer, Dietrich and Joan R. Mertens. 1982. The Search for Alexander: Supplement to the Catalogue. nos. S21–22, pp. 6–7, New York: The Metropolitan Museum of Art.
Bordenache Battaglia, Gabrielle. 1991. "Ori da una piccola tomba presso Bolsena (scavi 1861) 'restauro' e rielaborazioni neoclassiche Castellani." Bollettino d' Arte, 68-69: p. 16, pl.II, fig.a–d.
Williams, Dyfri and Jack Ogden. 1994. Greek Gold: Jewelry of the Classical World. no. 63, pp. 110–11, New York: Harry N. Abrams, Inc.
Baines, Robert. 1998. "Researching the Hidden and the Revealed." Knowledge Makers: papers from the Craft Victoria forum on research and craft practice, 19 July 1997, Suzie Attiwill, ed. p. 47–50, figs. 15–16, Fitzroy, Victoria, Australia: Craft Victoria.
Pandermalis, Dimitrios. 2004. Alexander the Great: Treasures from an Epic Era of Hellenism no. 9, p. 127, New York: Alexander S. Onassis Public Benefit Foundation (USA), Inc.
Jackson, Monica. 2006. Hellenistic Gold Eros Jewellery: Technique, Style and Chronology, BAR International Series. pl. 7, 2, Oxford: Archaeopress.
Picón, Carlos A. 2007. Art of the Classical World in the Metropolitan Museum of Art: Greece, Cyprus, Etruria, Rome no. 168, pp. 149, 436, New York: The Metropolitan Museum of Art.
Brøns, Cecilie. 2017. Gods and Garments : Textiles in Greek Sanctuaries in the 7th to the 1st Centuries B.C.. pp. 113–14, fig. 21, Oxford: Oxbow Books.
Holcomb, Melanie. 2018. Jewelry : The Body Transformed pp. 106, 109, pl. 86, New Haven: The Metropolitan Museum of Art.
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Museum's collection of Greek and Roman art comprises more than 30,000 works ranging in date from the Neolithic period to the time of the Roman emperor Constantine's conversion to Christianity in A.D. 312.
