Interior, foreigner with his dog Exterior, obverse, symposium (drinking party); reverse, komos (revel)
In technique and execution, this cup represents the kind of enterprising and accomplished artist who flourished in Athens during the late sixth and early fifth centuries B.C. The technique is red-figure enhanced by a coral-red slip, a short-lived experiment. The decoration is exceptional for the trenchant observation that underlies the spirited rendering. The man on the interior is often identified as Levantine. His physiognomy would have been as outlandish to an Athenian as the appearance of his dog.
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Artwork Details
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Title:Terracotta kylix (drinking cup)
Artist:Signed by Hegesiboulos as potter
Artist: Attributed to the Hegesiboulos Painter
Period:Archaic
Date:ca. 500 BCE
Culture:Greek, Attic
Medium:Terracotta; red-figure
Dimensions:H. 3 5/8 in. (9.2 cm) diameter 7 1/4 in. (18.4 cm)
Classification:Vases
Credit Line:Rogers Fund, 1907
Accession Number:07.286.47
Signature: Signed by Hegesiboulos as potter
Richter, Gisela M. A. 1917. Handbook of the Classical Collection. p. 104, fig. 63, New York: The Metropolitan Museum of Art.
Richter, Gisela M. A. 1927. Handbook of the Classical Collection. p. 124, fig. 82, New York: The Metropolitan Museum of Art.
Richter, Gisela M. A. 1930. Handbook of the Classical Collection. p. 124, fig. 82, New York: The Metropolitan Museum of Art.
Richter, Gisela M. A. and Lindsley F. Hall. 1936. Red-Figured Athenian Vases in the Metropolitan Museum of Art. no. 10, pp. 24–26, pls. 9, 10, 179, New Haven: Yale University Press.
Richter, Gisela M. A. 1946. Attic Red-Figured Vases: A Survey. p. 52, fig. 38, New Haven: Yale University Press.
Richter, Gisela M. A. 1953. Handbook of the Greek Collection. pp. 63, 205, pl. 45e, Cambridge, Mass.: Harvard University Press.
Richter, Gisela M. A. 1958[1946]. Attic Red-Figured Vases: A Survey, Revised Edition, 2nd edn. p. 52, fig. 38, New Haven: Yale University Press.
Beazley, John D. 1963[1942]. Attic Red-figure Vase-painters, Vols. 1 and 2, 2nd ed. pp. 175, 1631, bottom, Add. 1, p. 175, Oxford: Clarendon Press.
Beazley, John D. 1971. Paralipomena: Additions to Attic Black-Figure Vase-Painters and to Attic Red-Figure Vase-Painters [2nd edition]. p. 339, Oxford: Clarendon Press.
von Bothmer, Dietrich. 1978. Antichnoe iskusstvo iz muzeia Metropoliten, Soedinennye Shtaty Ameriki: Katalog vystavki. no. 51, Moscow: Sovetskii Khudozhnik.
Wehgartner, Irma. 1983. Attisch Weissgrundige Keramik: Maltechniken, Werkstätten, Formen, Verwendung. pp. 100, 206, n. 19, Mainz am Rhein: Verlag Philipp von Zabern.
Bélis, Annie. 1985. "À propos de la construction de la lyre." Bulletin de Correspondance Hellénique, 109(1): p. 212 n. 22.
Bol, Peter C. 2004. Die Geschichte der antiken Bildhauerkunst, Vol. 2. p. 82, fig. 23, Mainz: Verlag Philipp von Zabern.
Cohen, Beth. 2006. "Coral-Red Gloss." The Colors of Clay: Special Techniques in Athenian Vases, Beth Cohen, ed. pp. 50, 53, fig. 8, n. 38, Malibu: J. Paul Getty Trust.
Williams, Dyfri. 2006. "The Sotades Tomb." The Colors of Clay: Special Techniques in Athenian Vases, Beth Cohen, ed. pp. 296, 298, fig. 3, n. 18, Malibu: J. Paul Getty Trust.
Moore, Mary B. 2008. "The Hegesiboulos Cup." Metropolitan Museum Journal, 43: pp. 11–14, 16, 18, 20–27, figs. 1–8.
Lezzi-Hafter, Adrienne. 2009. "Wheel without Chariot – A Motif in Attic Vase-Painting." Athenian Potters and Painters, Vol. 2, John H. Oakley and Olga Palagia, eds. p. 155 n. 11, Oxford: Oxbow Books.
Mitchell, Alexandre G. 2009. Greek Vase-painting and the Origins of Visual Humour. pp. 243 n. 35, 288, New York: Cambridge University Press.
Calder, Louise. 2011. Cruelty and Sentimentality: Greek Attitudes to Animals, 600-300 BC. no. 206, pp. 81, 188, Oxford: Archaeopress.
Hedreen, Guy Michael. 2016. The Image of the Artist in Archaic and Classical Greece: Art, Poetry, and Subjectivity. pp. 249, 251–53, 257, pls. XIII, XX, New York: Cambridge University Press.
Arbeid, Barbara, Elena Ghisellini, and Maria Rosaria Luberto. 2022. Ho Pais Kalos : Scritti Di Archeologia Offerti a Mario Iozzo per Il suo Sessantacinquesimo Compleanno pp. 388–90, figs. 1–3, Monte Compatri (RM): Edizioni Espera.
Datable to about 510 B.C., a time of extraordinary creativity in Athens and of intense export to Italy, this drinking cup depicts the heroic deeds of Theseus.
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