Franz Roh

Inscription: Inscribed and signed in pencil, verso C: "Franz Roh // 1926 // Lucia Moholy"; stamped verso sideways at left edge: "COPYRIGHT BY LUCIA MOHOLY"; stamped verso LR: "FOTO LUCIA MOHOLY-BERLIN // Ohne Erlaubnis // Reproduktion Verboten"; inscribed in ink, verso UC: "Fross [illegible] // in sonne"; inscribed in green pencil, verso C: "roh // roh.h.-5"; inscribed in ink, verso LR [near stamp]: "W50 // spichearustr. 20";

[Rudolf Kicken]; John C. Waddell, February 13, 1984

The Metropolitan Museum of Art. "The New Vision: Photography between the World Wars. The Ford Motor Company Collection at The Metropolitan Museum of Art," September 23–December 31, 1989.

San Francisco Museum of Modern Art. "The New Vision: Photography between the World Wars. The Ford Motor Company Collection at The Metropolitan Museum of Art," February 28–April 22, 1990.

Los Angeles County Museum of Art. "The New Vision: Photography between the World Wars. The Ford Motor Company Collection at The Metropolitan Museum of Art," May 10–July 15, 1990.

High Museum of Art. "The New Vision: Photography between the World Wars. The Ford Motor Company Collection at The Metropolitan Museum of Art," February 5–April 28, 1991.

Museum of Fine Arts, Boston. "The New Vision: Photography between the World Wars. The Ford Motor Company Collection at The Metropolitan Museum of Art," June 8–August 4, 1991.

IVAM, Centre Julio Gonzalez, Valencia. "The New Vision, IVAM, Centre Julio Gonzalez, Valencia," January 20, 1995–March 26, 1995.

The Metropolitan Museum of Art. "Photography between the Wars: Selections from the Ford Motor Company Collection." The Metropolitan Museum of Art Bulletin (Spring 1988). front cover.

Greenough, Sarah. On the Art of Fixing a Shadow: One Hundred and Fifty Years of Photography. 1st ed. Washington, D.C.: National Gallery of Art, Washington D.C., 1989. pl. 342.

Hambourg, Maria Morris. The New Vision: Photography between the World Wars, Ford Motor Company Collection at the Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 1989. no. 50.

Mellow, James R. Walker Evans. New York: Basic Books, 1999. p. 89.

Barron, Stephanie, and Sabine Eckmann, ed. New Objectivity: Modern German Art in the Weimar Republic, 1919–1933. Los Angeles: Los Angeles County Museum of Art, 2015. p. 18.