Art/ Collection/ Art Object


Gordon Matta-Clark (American, 1943–1978)
Chromogenic prints mounted on board
101.6 x 76.2 cm (40 x 30 in.)
Credit Line:
Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 1992
Accession Number:
Rights and Reproduction:
© 2018 Estate of Gordon Matta-Clark / Artists Rights Society (ARS), New York
Not on view
In the decade between receiving his B.A. in architecture from Cornell University and his death in 1978, Matta-Clark was a key member of the New York avant-garde. His work, like that of Dennis Oppenheim and Robert Smithson, was formed outside the parameters of gallery presentation, and as with many artists who matured in the 1960s, his subversive activities were rooted in a critique of bourgeois American culture.

Compelled to focus attention on the dehumanization of the modern world, Matta-Clark developed a personal idiom that combined Minimalism and Surrealism with urban architecture. Using abandoned buildings for his medium and wielding a chainsaw as his instrument, he cut into the structures, creating unexpected apertures and incisions.

In 1974 Matta-Clark operated on a two-story home in New Jersey slated for demolition, effectively splitting it down the middle. The light from the incision invaded the interior and united the rooms with a swath of brilliance. The artist photographed his work and created a collage of prints, the unconventional disposition of which re-creates the disorienting experience of the unprecedented destruction.

Artist's estate; [Holly Solomon Gallery, New York]

New Mexico Museum of Art. "In Camera," November 6, 1993–February 14, 1994.

The Metropolitan Museum of Art. "Photographs: A Decade of Collecting," June 5, 2001–September 4, 2001.

The Metropolitan Museum of Art. "Modern Photographs from the Collection IX," July 20, 2004–January 16, 2005.

The Metropolitan Museum of Art. "Depth of Field: Modern Photography at the Metropolitan," September 25, 2007–March 23, 2008.

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