The Hotel, Room 12
Using the look and language of the forensic report, Calle presents evidence of her quixotic pursuits of the ineffable and evanescent. While obviously indebted to the deadpan photo-text combinations of Conceptualism, her art is as purely French at its core as the novels of Marguerite Duras and the films of Alain Resnais-an intimate exploration of memory, desire, and obsessive longing.
In early 1981 the artist was hired as a chambermaid in a Venetian hotel. For three weeks, she photographed the contents of the twelve rooms under her care-opening unlocked luggage, cataloguing personal effects, reading mail and journals-and kept extensive notes of her discoveries. These investigations resulted in twenty-one works collectively titled L'Hotel. All of the elements of Calle's art-from the voyeuristic of private and public spheres to the use of serial, repetitive structures-are present here in embryonic form. Most important, the artist compounds of various modes of apprehension (image and narrative) in order to point out their inevitable weaknesses, the unbridgeable chasm between observer and observed, the self and the other.
In early 1981 the artist was hired as a chambermaid in a Venetian hotel. For three weeks, she photographed the contents of the twelve rooms under her care-opening unlocked luggage, cataloguing personal effects, reading mail and journals-and kept extensive notes of her discoveries. These investigations resulted in twenty-one works collectively titled L'Hotel. All of the elements of Calle's art-from the voyeuristic of private and public spheres to the use of serial, repetitive structures-are present here in embryonic form. Most important, the artist compounds of various modes of apprehension (image and narrative) in order to point out their inevitable weaknesses, the unbridgeable chasm between observer and observed, the self and the other.
Artwork Details
- Title: The Hotel, Room 12
- Artist: Sophie Calle (French, born Paris, 1953)
- Date: 1983
- Medium: silver dye bleach print; gelatin silver print
- Dimensions: Frame: 105.4 × 144.8 cm (41 1/2 × 57 in.), each
- Classification: Photographs
- Credit Line: Purchase, Jennifer and Joseph Duke Gift, 2001
- Object Number: 2001.103a, b
- Rights and Reproduction: © Sophie Calle 1983
- Curatorial Department: Photographs
More Artwork
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.