Like her subjects, Goldin operates in the gap between art and life that is the special province of the bohemian-where one's attitude and attire, relationships and lifestyle are as carefully constructed and dramatically expressed as any work of art. During her first decade of work, from the mid-1970s to the '80s, the artist literally lived with her camera, producing more than 800 images that were originally presented as a slide show with music entitled The Ballad of Sexual Dependency-a cumulative work in the shape of a life. Nan and Brian in Bed is Goldin's signature image and served as the cover image for the book version of The Ballad, a contemporary vision of alienation and romantic discord set in the photogenic squalor of New York's Lower East Side.
Signatures, Inscriptions, and Markings
Inscription: Signed, titled, dated, and numbered in ink on the verso
the artist; [Matthew Marks Gallery, New York]
The Metropolitan Museum of Art. "Modern Photographs from the Collection VIII," December 16, 2003–July 20, 2004.
The Metropolitan Museum of Art, Photographs. "Grand Illusions: Staged Photography from the Collection," August 10, 2015–November 15, 2015.
Orenstein, Nadine M., Jeff L. Rosenheim, and Stephen C. Pinson. The Metropolitan Museum of Art Bulletin: A Centennial Album: Drawings, Prints, and Photographs 74, no. 3 (Winter 2017). p. 12.