Material Interchange for Joe Stranard, Aspen, Colorado

Dennis Oppenheim American

Not on view

During the 1960s Oppenheim, Robert Smithson, and others sought to liberate sculpture from the pedestals of the gallery and museum, choosing instead to make ephemeral, antimonumental works that were inextricably bound to their sites and dependent upon photography to provide evidence of their fleeting existence. Oppenheim was particularly interested in the terrains of both the landscape and the human body as potential sites for markings or gestures.

Material Interchange for Joe Stranard, Aspen, Colorado, Dennis Oppenheim (American, Electric City, Washington 1938–2011 New York), Chromogenic print

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.

2003.450a (photograph)