Feathered Panel

Date: A.D. 600–900

Geography: Peru, South Coast

Culture: Wari

Medium: Feathers on cotton fabric

Dimensions: H. 29 × W. 83 7/8 in. (73.66 × 213.04 cm)

Classification: Textiles-Featherwork

Credit Line: The Michael C. Rockefeller Memorial Collection, Bequest of Nelson A. Rockefeller, 1979

Accession Number: 1979.206.467

Not on view
The discovery of an ancient burial or ceremonial site in the upriver region of the Churunga Valley, in far south Peru, received little attention in the turbulent world of 1943. Decades later, it would take two generations of Andean scholars to painstakingly piece together the puzzling story of this discovery, which included the largest and most spectacular find of Precolumbian Peruvian feather work to date.

Protected from decay by being rolled, placed into large ceramic jars, and buried in the arid soil, the cache included an estimated ninety-six panels, each densely covered with tens of thousands of small glossy macaw body feathers, primarily from the blue and yellow macaw (Ara ararauna). Although these panels were found in the dry western foothills of the Andes, the birds’ home is the Amazonian rainforest, far to the east. The effort required to secure such a mind-bogglingly large supply of either feathers or live birds suggests that colorful feathers were highly valued.

The panels are of roughly similar dimensions, and the majority feature alternating rectangles of blue and yellow feathers, which came from the macaw’s dorsal and ventral sides, respectively. The panels have a woven heading tape, and most also include braided cords that hang from the narrow sides. Although the cords suggest that these works were meant to be secured to some kind of structure, their actual function remains frustratingly illusive.

Christine Giuntini, Conservator, 2016

Bird, Junius B. 1958. Art of Ancient Peru: Selected Works from the Collection. Checklist with commentary of an exhibition at the Museum of Primitive Art, Feb 19–May 18, 1958. New York: Museum of Primitive Art. (unpaginated)

King, Heidi. 2013. "The Wari Feathered Panels from Corral Redondo, Churunga Valley: A Re-examination of Context." Ñawpa Pacha, Journal of Andean Archaeology 33 (1): 23–42.


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Supported by Bloomberg Philanthropies
[Louis Slavitz, New York, until 1956]; Nelson A. Rockefeller, New York, 1956, on loan to The Museum of Primitive Art, New York, 1956–1978

Bird, Junius B. Art of Ancient Peru: Selected Works from the Collection. New York: Museum of Primitive Art, 1958.

The Metropolitan Museum of Art. Art of Oceania, Africa, and the Americas from the Museum of Primitive Art. New York: The Metropolitan Museum of Art, 1969, no. 514.

Newton, Douglas, Julie Jones, and Kate Ezra. The Pacific Islands, Africa, and the Americas/The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 1987, https://www.metmuseum.org/blogs/now-at-the-met/2018/golden-kingdoms-featherworks.

King, Heidi. "Federkunst aus Alt-Peru." Antike Welt: Aeitschrift fur Archaologie und Kulturgeschichte (April 2008), p. 61.

King, Heidi. "The Wari Feathered Panels from Corral Redondo, Churunga Valley: A Re-examination of Context." Nawpa Pacha vol. 33, no. 1 (June 2013), pp. 23–42.

Giuntini, Christine. "When Feathers Were the Treasures of the Rainforest." In Now at The Met. New York: The Metropolitan Museum of Art, 2017.