One of the most characteristic objects from Hasanlu is the so-called lion pin. Over sixty have been excavated at the site, most in Burned Building II, where they are associated—in groups of one, two, or three—with the many skeletons of individuals killed within the building at the time of its destruction. The pin, presumably used to fasten a garment, is a solid bronze reclining lion with the front paws extended and joined at the rear to an iron pin. A bronze chain attached to a loop created by a curve in the tail held the pin securely to the garment. The lion pins found at Hasanlu vary in size and weight as well as in decorative details. This example has a long mane running the length of its back. An upward curling tongue protrudes from its wide gaping mouth, and globular eyes are set on either side of its flattened head.
This image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
1960, excavated under the direction of Robert H. Dyson Jr. on behalf of the Hasanlu Project sponsored by the University Museum of the University of Pennsylvania, the Archaeological Service of Iran, and The Metropolitan Museum of Art; acquired by the Museum in 1961, as a result of its financial contribution to the excavations.
"Epic Iran." The Victoria and Albert Museum, London, May 29, 2021–September 12, 2021.
Crawford, Vaughn E. 1961. “Hasanlu 1960.” The Metropolitan Museum of Art Bulletin 20, p. 94, fig. 10.
Crawford, Vaughn E. 1965. “Some Notes from an Excavation.” Apollo 82, p. 216, fig. 9.
Bodenstein, Beatrice E., Vaughn E. Crawford, Prudence O. Harper, Oscar W. Muscarella. 1966. Ancient Near Eastern Art: Guide to the Collections. New York: Metropolitan Museum of Art, p. 26, fig. 40.
Porada, Edith. 1975. “Iranische Kunst.” Der Alte Orient, Propyläen Kunstgeschichte 14, pp. 393-394, pl. 310c.
Harper, Prudence O. et al. 1984. "Ancient Near Eastern Art." The Metropolitan Museum of Art Bulletin 41 (4), Spring 1984, p. 38, fig. 50.
Porter, Barbara A. 1984. Art of the Ancient Near East Permanent Galleries (Handout). New York: The Metropolitan Museum of Art, fig. 7.
Porter, Barbara A. 1986. Art of the Ancient Near East: Permanent galleries of the Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, no. 12.
Muscarella, Oscar W. 1988. Bronze and Iron: Ancient Near Eastern Artifacts in The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, p. 42, no. 42.
Marcus, Michelle I. 1988. The Seals and Sealings from Hasanlu IVB, Iran. Ph.D. dissertation, University of Pennnsylvania. Ann Arbor: University Microfilms International #8816203, pl. 5c.
Marcus, Michelle I. 1995. “Art and Ideology in Ancient Western Asia.” Civilizations of the Ancient Near East, edited by Jack Sasson, New York: Charles Scribner's Sons, p. 2496, fig. 12.
Marcus, Michelle I. 1996. “Emblems of Identity and Prestige: The Seals and Sealings from Hasanlu, Iran.” Hasanlu Special Studies III. University Museum Monograph 84. Philadelphia: The University Museum, University of Pennsylvania, pl. 31.
Muscarella, Oscar W. 2004. "The Hasanlu Lion Pins Again." In A View From The Highlands: Archaeological Studies in Honour of Charles Burney, edited by Antonio Sagona. Leuven: Peeters, p. 707, fig. 1.1.
Gunter, Ann C. 2009. Greek Art and the Orient. New York: Cambridge University Press, p. 47, fig. 14.
Rakic, Yelena ed. 2010. Discovering the Art of the Ancient Near East: Archaeological Excavations Supported by The Metropolitan Museum of Art, 1931–2010. The Metropolitan Museum of Art Bulletin 68 (1), Summer 2010, p. 36.
Curtis, John, Ina Sarikhani Sandmann and Tim Stanley. 2021. Epic Iran: 5000 Years of Culture. London: V&A Publishing, p. 50, no. 37.
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
Includes more than 7,000 works ranging in date from the eighth millennium B.C. through the centuries just beyond the time of the Arab conquests of the seventh century A.D.
