This solid-cast sculpture is one of a pair of nearly identical images of a hero or a demon wearing the upturned boots associated with highland regions, his power enhanced by the mighty horns of the ibex on his head and the body and wings of a bird of prey draped around his shoulders. It was created at the time the first cities emerged in ancient Sumer. A new world view conceived of human figures in realistic terms, through accurate proportions and highly modeled forms with distinctive features - here, the triple belt and beard that define divine beings and royalty. The blending of human and animal forms to visualize the supernatural world and perhaps to express shamanistic beliefs, however, is more characteristic of the contemporary arts of Proto-Elamite Iran, where a remarkable tradition of metalworking developed during this period.
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
Title:Striding figure with ibex horns, a raptor skin draped around the shoulders, and upturned boots
1950, purchased by Mrs. Paul Mallon from a private collection in Baghdad and acquired by the Albright-Knox Art Gallery the same year; acquired by the Museum in 2007, purchased from Sotheby's New York, at the auction "Highlights of historic objects offered by the Albright-Knox Art Gallery, Buffalo, New York", on June 7, 2007, lot 80.
"Art of the First Cities: The Third Millennium B.C. from the Mediterranean to the Indus," The Metropolitan Museum of Art, New York, May 8–August 17, 2003.
"The Philippe de Montebello Years: Curators Celebrate Three Decades of Acquisitions," The Metropolitan Museum of Art, New York, October 24, 2008–February 1, 2009.
"Street." The Metropolitan Museum of Art, New York, March 5–May 27, 2013.
"Epic Iran." The Victoria and Albert Museum, London, May 29, 2021–September 12, 2021.
Schenck, Edgar Craig. 1953. "Additions to the Permanent Collection. Two Near Eastern Figurines." The Buffalo Fine Arts Academy. Albright Art Gallery 17 (1), January 1953, pp. 2-5, pl. p. 10.
Haskins, John F. 1957. "Shamanistic Figures from the Caucasus." Marsyas 7, pp. 40-52, figs. 3-4.
Parrot, André. 1963. "Statuaire archaique iranienne." Syria 40, p. 235.
Barnett, Richard D. 1966. "Homme masqué ou dieu-ibex?" Syria 43, pp. 259-276, pl. XXI.
Nagel, Wolfram. 1966. "Frühe Grossplastik und die Hochkulturkunst am Erthaischen Meer." Berliner Jahrbuch 6, p. 46.
Nagel, Wolfram. 1968. "Frühe Grossplastik und die Hochkulturkunst am Erthaischen Meer." Berliner Jahrbuch 8, p. 116, pl. XXVI.
Börker-Klähn, Jutta. 1974. "Drei unveroffentliche Plastiken im Rijksmuseum van Oudheden zu Leiden." Oudheidkundige Mededelingen 55, p. 121, pl. 20.
Porada, Edith. 1974. "Mesopotamia und Iran." Propyläen Kunstgeschichte 13. Berlin: Propyläen, p. 163, pl. XII.
Nash, Steven A. et al. 1979. Albright-Knox Art Gallery. Painting and Sculpture from Antiquity to 1942. New York: Rizzoli International Publications, pp. 50-51.
Spycket, Agnès. 1981. La statuaire du Proche-Orient ancien. Leiden, Köln: E.J. Brill, p. 49, note.
Moorey, Peter R.S. 1982. "The Archaeological Evidence for Metallurgy and Related Technologies in Mesopotamia, c. 5500-2100 B.C." Iraq 44, p. 24.
Porada, Edith. 1995. Man and images in the ancient Near East. Wakefield, RI and London: Moyer Bell, p. 35.
Hansen, Donald. 2002. "Through the Love of Ishtar." In Of Pots and Plans. Papers on the Archaeology and History of Mesopotamia ans Syria presented to David Oates in Honour of his 75th Birthday, edited by Lamia al-Gailani et al. London: Nabu Publications, p. 100.
Pittman, Holly. 2003. "Striding horned demons." In Art of the First Cities: The Third Millennium B.C. from the Mediterranean to the Indus, exh. cat. edited by Joan Aruz, with Ronald Wallenfels. New York: The Metropolitan Museum of Art, no. 15b, pp. 46-48.
Sotheby's. 2007. Highlights of historic objects offered by the Albright-Knox Art Gallery, Buffalo. Spring 2007, New York, pp. 154-157.
Sotheby's. 2007. Antiquities including property of the Albright-Knox Art Gallery. June 7, 2007, New York, lot 80.
Annual Report of the Trustees of the Metropolitan Museum of Art 137 (July 1, 2006 - June 30, 2007), p. 8.
Evans, Jean M. 2008. "Striding Horned Demon." The Metropolitan Museum of Art Bulletin 66 (2), p. 6.
Benzel, Kim, Sarah B. Graff, Yelena Rakic, and Edith W. Watts. 2010. Art of the Ancient Near East: A Resource for Educators. New York: The Metropolitan Museum of Art, image 2, pp. 54-55.
Parpola, Asko. 2011. "Motifs of Early Iranian, Mesopotamian and Harappan Art (and Script) Reflecting Contacts and Ideology." In Cultural Relations between the Indus and the Iranian Plateau during the Third Millennium BCE, edited by Toshiki Osada and Michael Witzel. Cambridge: Department of South Asian Studies, Harvard University, p. 328, fig. 105b.
Manchester, Karen. 2012. Recasting the Past: Collecting and Presenting Antiquities at the Art Institute of Chicago. Chicago: Art Institute of Chicago, p. 43 fig. 1.1.
Hemingway, Seàn. 2014. “The Age of Bronze in Greece, Cyprus, and the Near East.” In Ancient Bronzes through a Modern Lens, edited by Susanne Ebbinghaus. New Haven and London: Yale University Press, p. 24, fig. 1.2.
Curtis, John, Ina Sarikhani Sandmann and Tim Stanley. 2021. Epic Iran: 5000 Years of Culture. London: V&A Publishing, p. 23, no. 4.
The Met Collection API is where all makers, creators, researchers, and dreamers can now connect to the most up-to-date data and images for more than 470,000 artworks in The Met collection. As part of The Met’s Open Access program, the data is available for unrestricted commercial and noncommercial use without permission or fee.
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.