Bridleless Curb Bit
According to contemporary equestrian manuals, the mouthpiece of this bit was designed for a horse with a thick tongue and an insipid mouth (meaning that the horse does not ‘taste’ its bit, so by rolling the rings on its bars, the toothless part of its mouth, it will make the horse salivate).
The curious system at the back of the cheekpieces, connected to the bosses, was used for pinching the upper lip between the tab and the back of the purchase, allowing this bit to be used without the need of a headstall to hanging it.
These rare bridleless curb bits, described in some equestrian manuals written in the second half of the 16th century, were certainly somewhat experimental, and only used in non-military contexts. They seem to have been invented, and probably mostly used, in Germany.
The curious system at the back of the cheekpieces, connected to the bosses, was used for pinching the upper lip between the tab and the back of the purchase, allowing this bit to be used without the need of a headstall to hanging it.
These rare bridleless curb bits, described in some equestrian manuals written in the second half of the 16th century, were certainly somewhat experimental, and only used in non-military contexts. They seem to have been invented, and probably mostly used, in Germany.
Artwork Details
- Title: Bridleless Curb Bit
- Date: late 16th–first half 17th century
- Culture: German
- Medium: Iron alloy
- Dimensions: H. 10 1/2 in. (26.7 cm); W. 7 3/4 in. (19.7 cm); Wt. 2 lb. 8.2 oz. (1139.7 g)
- Classification: Equestrian Equipment-Bits
- Credit Line: Gift of William H. Riggs, 1913
- Object Number: 14.25.1779
- Curatorial Department: Arms and Armor
More Artwork
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.