This handscroll tells the story of the exile and return to power of Chonger, duke of the ancient state of Jin. Driven from his home by a succession crisis, Chonger spent nineteen years in exile seeking support from other states before returning in triumph to assume the title Duke of Jin in 636 BCE. Though unsigned, the painting has long been attributed to the court painter Li Tang, who served in both the Northern and Southern Song painting academies. The calligraphy, executed in the style of Emperor Gaozong, was probably written by a scribe on his behalf.
#7703. Duke Wen of Jin Recovering His State, Part 1
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7703. Duke Wen of Jin Recovering His State, Part 1
7704. Duke Wen of Jin Recovering His State, Part 2
Wang Jiqian 王季遷 (C. C. Wang, 1907–2003) 震澤王氏季遷收藏印 懷雲樓鋻賞書畫之記
Unidentified: 世家 合同
Illegible: 4
Ding Huikang Chinese, Shanghai (before 1949)
New York. The Metropolitan Museum of Art. "Song and Yuan Paintings: Exhibition of Newly Acquired Chinese Paintings," November 1, 1973–January 20, 1974.
London. British Museum. "Song and Yuan Paintings," November 7, 1975–January 4, 1976.
Shizuoka Prefectural Museum of Art. "Landscape Painting in the East and West," April 17, 1986–June 1, 1986.
Kobe City Museum. "Landscape Painting in the East and West," June 7, 1986–July 13, 1986.
Zurich. Museum Rietberg. "The Mandate of Heaven: Emperors and Artists in China," April 2, 1996–July 7, 1996.
Museum für Asiatische Kunst, Staatliche Museen zu Berlin. "The Mandate of Heaven: Emperors and Artists in China," August 3, 1996–November 10, 1996.
New York. The Metropolitan Museum of Art. "The New Chinese Galleries: An Inaugural Installation," 1997.
New York. The Metropolitan Museum of Art. "The Artist as Collector: Masterpieces of Chinese Painting from the C.C.Wang Family Collection," September 2, 1999–January 9, 2000.
New York. The Metropolitan Museum of Art. "Cultivated Landscapes: Reflections of Nature in Chinese Painting with Selections from the Collection of Marie-Hélène and Guy Weill," September 10, 2002–February 9, 2003.
New York. The Metropolitan Museum of Art. "Great Waves: Chinese Themes in the Arts of Korea and Japan I," March 1–September 21, 2003.
New York. The Metropolitan Museum of Art. "The Douglas Dillon Legacy: Chinese Painting for the Metropolitan Museum," March 12–August 8, 2004.
New York. The Metropolitan Museum of Art. "Brush and Ink: The Chinese Art of Writing," September 2, 2006–January 21, 2007.
New York. The Metropolitan Museum of Art. "Bridging East and West: The Chinese Diaspora and Lin Yutang," September 15, 2007–February 10, 2008.
New York. The Metropolitan Museum of Art. "Landscapes Clear and Radiant: The Art of Wang Hui (1632–1717)," September 9, 2008–January 4, 2009.
New York. The Metropolitan Museum of Art. "Masterpieces of Chinese Painting from the Metropolitan Collection (Rotation Two)," May 7–October 11, 2016.
New York. The Metropolitan Museum of Art. "Show and Tell: Stories in Chinese Painting," October 29, 2016–August 6, 2017.
New York. The Metropolitan Museum of Art. "Chinese Painting and Calligraphy Up Close," January 25, 2020–June 27, 2021.
Du Mu 都穆. Tie wang shanhu 鐵網珊瑚. Preface dated 1758, juan 18. Reprinted ed., Taipei: Guoli zhongyang tushuguan, 1971, p. 564.
Zhang Zhao 張照 et al. Midian zhulin shiqu baoji 秘殿珠林石渠寶笈 (Catalogue of painting and calligraphy in the Qianlong imperial collection). Preface dated 1745. Facsimile reprint of an original manuscript copy. vol. 1, Taipei: National Palace Museum, 1971, pp. 568–69.
Fong, Wen C., and Marilyn Fu. Sung and Yuan Paintings. Exh. cat. New York: The Metropolitan Museum of Art, 1973, pp. 28–37, 30, 41, 52–55, 138, cat. no. 2.
Cahill, James. An Index of Early Chinese Painters and Paintings: T'ang, Sung, and Yüan. Berkeley: University of California Press, 1980.
Suzuki Kei 鈴木敬, ed. Chûgoku kaiga sogo zuroku: Daiikan, Amerika-Kanada Hen 中國繪畫總合圖錄: 第一卷 アメリカ - カナダ 編 (Comprehensive illustrated catalog of Chinese paintings: vol. 1 American and Canadian collections) Tokyo: University of Tokyo Press, 1982, p. 8, cat. no. A1-016.
Barnhart, Richard M. Along the Border of Heaven: Sung and Yüan Paintings from the C. C. Wang Family Collection. New York: The Metropolitan Museum of Art, 1983, pp. 58–66; 180, figs. 16–21.
The Metropolitan Museum of Art: Asia. New York: The Metropolitan Museum of Art, 1987, pp. 72–73, pl. 42.
National Palace Museum 國立故宮博物院. Haiwai yizhen: Huihua: zaixu 海外遺珍: 繪畫. 再續 (Chinese art in overseas collections: painting III). Taipei: National Palace Museum, 1990, pp. 30–47, cat. no. 7.
Li E 厲鶚. Nansong yuan hualu 南宋院畫錄 (Record of Southern Song Academy Painting). 1721, juan 2. Reprint. Shanghai: Shanghai guji chubanshe, 1991, vol. 3, pp. 548–49.
Fong, Wen C. Beyond Representation: Chinese Painting and Calligraphy, 8th–14th Century. New York: The Metropolitan Museum of Art, 1992, pp. 196–206, pls. 26a–h.
Bian Yongyu 卞永譽. Shigu Tang shuhua huikao 式古堂書畫彙考 (Studies of calligraphy and painting from the Shigu Tang Studio). Preface dated 1682, juan 44 of painting section. Reprinted in Zhongguo shuhua quanshu 中國書畫全書 (Compendium of classical publications on Chi ptg. & calligr.) Edited by Lu Fusheng 盧輔聖. Shanghai: Shanghai guji chubanshe, 1993–2000, vol. 2, p. 828.
Zhang Chou 張丑. Qinghe shuhua fang 清河書畫舫 (Painting and calligraphy barge from Qinghe). Preface dated 1616. Reprinted in Zhongguo shuhua quanshu 中國書畫全書 (Compendium of classical publications on Chinese painting and calligraphy) Edited by Lu Fusheng 盧輔聖. Shanghai: Shanghai shuhua chubanshe, 1993–2000, vol. 4, p. 329.
Zhang Chou 張丑. Qinghe shuhua fang 清河書畫舫 (Painting and calligraphy barge at Qinghe). Preface dated 1616, juan 7. Reprinted in Zhongguo shuhua quanshu 中國書畫全書 (Compendium of classical publications on Chinese painting and calligraphy) Edited by Lu Fusheng 盧輔聖. Shanghai: Shanghai shuhua chubanshe, 1993–2000, vol. 4, p. 329.
Weitz, Ankeney. Zhou Mi's Record of Clouds and Mist Passing Before One's Eyes: An Annotated Tanslation. Leiden: Brill, 2002, pp. 287–89, cat. no. 2.19.4, fig. 43.
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