Buddha Dipankara (Diguang), Sandstone with traces of pigment, China

北魏 石雕燃燈佛像(砂岩)
Buddha Dipankara (Diguang)

Period:
Northern Wei dynasty (386–534)
Date:
dated 489–95
Culture:
China
Medium:
Sandstone with traces of pigment
Dimensions:
H. 127 in. (322.6 cm); W. 75 in. (190.5 cm); D. 28 in. (71.1 cm); H. with base: 137 in. (348 cm)
Classification:
Sculpture
Credit Line:
The Sackler Collections, Purchase, The Sackler Fund, 1965
Accession Number:
65.29.3
On view at The Met Fifth Avenue in Gallery 206
The inscription on the back of this stele identifies the Buddha depicted on the front as Dipankara, who was thought to have lived before the historical Buddha Shakyamuni. He is shown here attended by a group of small figures wearing the clothing of the Xianbei, the non–Han Chinese peoples who ruled the Northern Wei dynasty. The smaller standing figure to the Buddha’s right may represent a youth named Sumedha, who was destined to become the historical Buddha in another lifetime. The imagery of this large sculpture is therefore intended to illustrate the promise or possibility of enlightenment in a future life. In Buddhism, the achievement of this advanced spiritual state is the goal of all practitioners.

The bodhisattva with crossed ankles on the back of the stele recalls similar figures in the collection from the Yungang cave temple complex.
#7443. Stele with Buddha Dipankara (Randeng), Part 1
#7443. Stele with Buddha Dipankara (Randeng), Part 2
For Audio Guide tours and information, visit metmuseum.org/audioguide.
Inscription: Inscribed front, beside donors; back at bottom; side; not read
Shanxi Province

[ Frank Caro Co. , New York, until 1965; sold to MMA]
New York. The Metropolitan Museum of Art. "Sackler Galleries Reinstallation," October 14, 1998–March 19, 2010.