Pendant disks known as keman, thought to have originated as floral wreaths placed before Buddhist altars as votive offerings, are an integral part of the interior decor of the Buddhist temple. They are generally suspended from columns or from the outer edges of the canopy above the altar platform. This exceptionally well-crafted example features a pair of facing birds modeled in relief, their wings outstretched as if caught in midflight.
This image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
This artwork is meant to be viewed from right to left. Scroll left to view more.
Artwork Details
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
華鬘
Title:Keman (Decorative Pendant Disk)
Period:Kamakura period (1185–1333)
Date:13th century
Culture:Japan
Medium:Gilt bronze and silver
Dimensions:H. 11 in. (27.9 cm); W. 15 1/4 in. (38.7 cm)
Classification:Metalwork
Credit Line:Gift of John M. Crawford Jr., 1968
Object Number:68.76
John M. Crawford Jr. American, New York (until 1968; donated to MMA)
New York. The Metropolitan Museum of Art. "Arts of Japan," 1995.
New York. The Metropolitan Museum of Art. "Seasonal Pleasures in Japanese Art, Part II," May 1–September 8, 1996.
New York. The Metropolitan Museum of Art. "The Resonant Image: Tradition in Japanese Art (Part Two)," April 27–September 27, 1998.
New York. The Metropolitan Museum of Art. "Arts of Japan," 1998.
New York. The Metropolitan Museum of Art. "Graceful Gestures: A Decade of Collecting Japanese Art," September 29, 2001–March 10, 2002.
New York. The Metropolitan Museum of Art. "The Written Image: Japanese Calligraphy and Paintings from the Sylvan Barnet and William Burto Collection," October 1, 2002–March 2, 2003.
New York. The Metropolitan Museum of Art. "Great Waves: Chinese Themes in the Arts of Korea and Japan II," March 22–September 21, 2003.
New York. The Metropolitan Museum of Art. "Birds, Flowers, and Buddhist Paradise Imagery in Japanese Art," February 14–June 13, 2004.
New York. The Metropolitan Museum of Art. "Tribute to a Dedicated Collector: Mary Griggs Burke," June 30–November 29, 2004.
New York. The Metropolitan Museum of Art. "Masterpieces from the Permanent Collection," July 2–November 29, 2005.
New York. The Metropolitan Museum of Art. "No Ordinary Mortals: The Human Figure in Japanese Art," 2007–2008.
New York. The Metropolitan Museum of Art. "Ukiyo-e Artists' Responses to Romantic Legends of Two Brothers: Narihira and Yukihira," March 27–June 8, 2008.
New York. The Metropolitan Museum of Art. "Landscapes in Japanese Art," June 24–November 7, 2010.
New York. The Metropolitan Museum of Art. "Arts of Japan Galleries," February 2–July 28, 2013.
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world.
