One from a set of 2 hanging scrolls; ink, color, and gold on silk
Overall: 67 5/8 x 33 1/4in. (171.8 x 84.4cm) Overall with mounting: 106 x 40 1/2 in. (269.2 x 102.9 cm) Overall with knobs: 106 x 43 1/4 in. (269.2 x 109.9 cm)
H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929
Not on view
Prince Shōtoku (574?–622), a fervent champion of Buddhism against the often fierce opposition of the hereditary clans in charge of Shinto ritual, was venerated within a century after his death as an incarnation of the historical (Shakyamuni) Buddha. Tales of his miraculous life, inspired by narratives of the life of the Buddha, were painted in temples and shrines and included among the parables told by priests. These tales played a major part in the spread of popular Buddhism in medieval Japan. As a paragon of Buddhist virtue from a time before sectarianism, Shōtoku appealed to many practitioners of the faith.
This pair of hanging scrolls depicts sixty-two episodes from Shōtoku's life, drawing parallels between him and Shakyamuni Buddha. For instance, while the Buddha's mother, Queen Maya, had a vision of Shakyamuni as a white elephant with six tusks, Empress Hashihito (d. 665) dreamed of her son Shōtoku in the guise of a golden monk. Episodes are illustrated neither chronologically nor in an orderly spatial sequence; events that took place in the same location are, however, arranged closely together. Inscriptions in white cartouches are therefore included to identify each scene.
Inscription: Inscription on box cover "Painted by Tosa Tsunetaka"
Mrs. H. O. (Louisine W.) Havemeyer , New York (until d. 1929; bequeathed to MMA).
Princeton University Art Museum. "Transformations in Japanese Painting," March 1, 1983–June 26, 1983.
New York. The Metropolitan Museum of Art. "Arts of Japan," 1995.
New York. The Metropolitan Museum of Art. "No Ordinary Mortals: The Human and Not-So-Human Figure in Japanese Art," 1996.
New York. The Metropolitan Museum of Art. "Art in Early Japan," 1999–2000.
New York. The Metropolitan Museum of Art. "Graceful Gestures: A Decade of Collecting Japanese Art," September 29, 2001–March 10, 2002.
New York. The Metropolitan Museum of Art. "Birds, Flowers, and Buddhist Paradise Imagery in Japanese Art," February 14, 2004–June 13, 2004.
New York. The Metropolitan Museum of Art. "A Sensitivity to the Seasons: Spring and Summer," December 17, 2005–June 4, 2006.
New York. The Metropolitan Museum of Art. "No Ordinary Mortals: The Human Figure in Japanese Art," 2007–2008.
New York. The Metropolitan Museum of Art. "Ukiyo-e Artists' Responses to Romantic Legends of Two Brothers: Narihira and Yukihira," March 27, 2008–June 8, 2008.
New York. The Metropolitan Museum of Art. "Storytelling in Japanese Art," November 19, 2011–May 6, 2012.