Silent fisherman in an autumn wood

Shen Zhou Chinese

Not on view

Born to a family of scholars and artists, Shen Zhou chose to lead a life of quiet retirement at home, pursuing the scholar-artist ideal of practicing painting and calligraphy as a form of self-cultivation. Although he did not turn to painting until he was nearly forty, he was later heralded as the father of the Wu school.

Painted when Shen Zhou was forty-eight, Silent Angler in an Autumn Wood is a relatively early work. Nevertheless, it exhibits the kind of bold brushwork and composition that typify the artist's mature style. Eliminating any background so that the screen of foreground trees fills the picture plane, Shen Zhou maximized the impact of the surface patterns made by his blunt, powerful brushstrokes.

According to Shen Zhou's inscription, the painting was done for two old friends, father and son, who had come for a visit. In both his painting and the accompanying poem, Shen used the image of the fisherman to symbolize the pleasures of scholarly retirement. To emphasize that such pleasures are a state of mind, Shen's angler, dressed in a scholar's robe and seated on a leopard skin, holds a pole that has neither hook nor line.

Silent fisherman in an autumn wood, Shen Zhou (Chinese, 1427–1509), Hanging scroll; ink and color on paper, China

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.


Public domain data for this object can also be accessed using the Met's Open Access API.