Meeting of Saints Joachim and Anne at the Golden Gate

Georges Hoentschel (French), Paris (sold 1906); J. Pierpont Morgan (American), London and New York (1906–1916)

New York. Bard Graduate Center: Decorative Arts, Design History, Material Culture. "Salvaging the Past: Georges Hoentschel and French Decorative Arts at The Metropolitan Museum of Art," April 3, 2013–August 11, 2013.

Breck, Joseph. Catalogue of Romanesque, Gothic, and Renaissance Sculpture. New York: The Metropolitan Museum of Art, 1913. no. 301, p. 243, ill. p. 241.

Smith, Jeffrey Chipps. German Sculpture of the Later Renaissance, c. 1520-1580: Art in an Age of Uncertainty. Princeton: Princeton University Press, 1994. p. 369.

Wixom, William D. "Riemenschneider in America." In Tilman Riemenschneider: Master Sculptor of the Late Middle Ages, edited by Julien Chapuis. Washington, D.C.: National Gallery of Art, 1999. p. 151.

Rosenfeld, Jörg. "Benedikt Dreyer und 'die Errungenschaften süddeutscher Meister': Bemerkungen zu Leben und Werk des Lübecker Bildschnitzers." In Malerei und Skulptur des späten Mittelalters und der frühen Neuzeit in Norddeutschland: Künstlerischer Austausch im Kulturraum zwischen Nordsee und Baltikum, edited by Dr. Hartmut Krohm, Uwe Albrecht, and Matthias Weniger. Wiesbaden: Reichert, 2004. p. 376, n. 21.

Thiesen, Tamara. Benedikt Dreyer: Das Werk des spätgotischen Lübecker Bildschnitzers. Schleswig-Holsteinische Schriften zur Kunstgeschichte 14. Kiel: Ludwig, 2007. pp. 177–201, 364, n. 598.

Wixom, William D. "Late Medieval Sculpture in the Metropolitan: 1400 to 1530." The Metropolitan Museum of Art Bulletin, n.s., 64, no. 4 (Spring 2007). p. 36.

Krohn, Deborah L., Ulrich Leben, and Daniëlle O. Kisluk-Grosheide, ed. Salvaging the Past: Georges Hoentschel and French Decorative Arts from The Metropolitan Museum of Art. New York and New Haven: Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture, 2013. no. 153, p. 179.