Oliphant

South Italian

On view at The Met Fifth Avenue in Gallery 304


Las representaciones de animales, que gozaban de gran popularidad en el arte medieval, traspasaban fácilmente las barreras culturales y religiosas, convertidas a menudo en elementos decorativos de objetos de lujo fabricados en el Mediterráneo como estos. Aunque en algunos casos eran puramente ornamentales, las criaturas reales e imaginarias también podían adquirir distintos significados en función del objeto, el artífice y el observador. En esta caja de marfil y este cuerno de caza vemos las mismas escenas de animales y cinegéticas que inspiraron la pintura del dromedario de San Baudelio, aunque estas piezas se crearon para uso personal y no para la exhibición en un entorno monumental.







Wildly popular in medieval art, animal imagery easily crossed cultural and religious barriers, frequently decorating Mediterranean-made luxury objects such as these. While they could be purely decorative, creatures real and imaginary could also take on different meanings depending on the object, the maker, and the viewer. This ivory box and hunting horn feature the same kind of popular animal and hunting scenes that inspired San Baudelio’s camel painting but were made for personal use rather than monumental display.

Oliphant, Ivory, metal mounts, South Italian

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