The twelve surviving plaques in this series are divided among London, Paris, and New York. The group may have originally decorated a large cross base or a pulpit.
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Title:Plaque with the Crucifixion
Date:ca. 1150–75
Geography:Made in Meuse Valley, Netherlands
Culture:South Netherlandish
Medium:Champlevé and cloisonné enamel, copper alloy, gilt
Dimensions:Overall: 4 x 4 x 1/8 in. (10.2 x 10.2 x 0.3 cm)
Classification:Enamels-Champlevé
Credit Line:Gift of J. Pierpont Morgan, 1917
Object Number:17.190.431
Inscription: (Enameled, across top): SOL / IH[SU]C / XP[ISTU]S / LVNA (Sun, Jesus Christ, Moon) (Along the left side): S[AN]C[T]A MARIA (Saint Mary) (Along the right side): S[AN]C[TU]S IOHANNES (Saint John)
[ Frédéric Spitzer (Austrian)(d. 1890), Paris (sold 1893)]; his posthumous sale, Chevallier & Mannheim, Paris (April 17–June 16, 1893, no. 216); Weinberg(from 1893); Monsieur Léguillon, Paris (sold 1895); his sale, Hôtel Drouot, Paris (December 9, 1895, no. 4, to Bourgeois); [ Bourgeois Frères, Cologne (from 1895)]; [ Jacques Seligmann, Paris and New York (sold 1906, to Morgan)]; J. Pierpont Morgan (American), London and New York (from 1906–until 1917)
Pierpont Morgan Library. "The Stavelot Triptych: Mosan Art and The Legend of the True Cross," April 26–July 31, 1980.
New York. The Metropolitan Museum of Art. "The Winchester Bible: A Masterpiece of Medieval Art in Context," December 8, 2014–March 8, 2015.
New York. The Metropolitan Museum of Art. "Michelangelo: Divine Draftsman & Designer," November 13, 2017–February 12, 2018.
Mannheim, Jules. "L'Exposition Rétrospective d'Objets d'Art Français au Palais du Trocadéro." L'art: Revue hebdomadaire illustrée 15, no. 2 (1889). ill. p. 76.
La Collection Spitzer: Antiquité, Moyen-Age, Renaissance. Vol. I. Mâcon: Imprimerie Protat Frères, 1890–1891. Orfèvrerie religieuse 11, p. 89.
Spitzer, Frédéric, ed. La Collection Spitzer: Antiquité -- Moyen-Age -- Renaissance. Vol. 1. Paris: Maison Quantin, 1890–1893. Orfèvrerie religieuse 11, p. 99, ill. in text.
Catalogue des objets d'art et de haute curiosité: antiques, du moyen-âge & de la renaissance: composant l'importante et précieuse Collection Spitzer. Vol. 1. Paris: Chevallier and Mannheim, April 17–June 16, 1893. no. 222, p. 39, pl. VIII.
Catalogue des objets d'art et de haute curiosité du Moyen Age ... composant la collection de M. Léguillon. Paris: Hôtel Drouot, December 9, 1895. no. 4, p. 4, ill.
Molinier, Emile. L'orfèvrerie religieuse et civile du Ve à la fin du XVe siècle. Histoire générale des arts appliqués à l'industrie, Vol. 4. Paris: E. Levy, 1902. p. 148.
Mitchell, H. P. "Some Enamels of the School of Godefroid de Claire, VIII." The Burlington Magazine for Connoisseurs 37, no. 208 (July 1920). pp. 11–18, pl. XVI.
Forsyth, William H. "Mediaeval Enamels in a New Installation." The Metropolitan Museum of Art Bulletin, n.s., 4, no. 9 (May 1946). p. 233, ill. p. 234.
Verdier, Philippe. "Un monument inédit de l'art mosan du XIIe siècle: La crucifixion symbolique de Walters Art Gallery." Revue belge d'archéologie et d'histoire de l'art 30 (1961). pp. 117–18, fig. 2.
The Metropolitan Museum of Art. Guide to the Collections: Medieval Art. New York: The Metropolitan Museum of Art, 1962. fig. 23.
Forsyth, William Holmes. "Around Godefroid de Claire." The Metropolitan Museum of Art Bulletin, n.s., 24, no. 10 (June 1966). pp. 304, 308, fig. 2, 9.
Lasko, Peter. "The Pentecost Panel and Godefroid de Claire." The Connoisseur Year Book, 1966 (1966). pp. 47–48, fig. 4.
Hoving, Thomas. "Director's Choice." The Metropolitan Museum of Art Bulletin, n.s., 28, no. 5 (January 1970). pp. 26–27.
Verdier, Philippe. "What Do We Know of the Great Cross of Suger in Saint-Denis." Gesta 9, no. 2 (1970). p. 14.
Henderson, George. Early Medieval. Style and Civilization. Harmondsworth: Penguin Books, 1972. pp. 229–30, fig. 145.
Kötzsche, Dietrich. "Zum Stand der Forschung der Goldschmiedekunst des 12. Jahrhunderts im Rhein-Maas-Gebiet." In Rhein und Maas: Kunst und Kultur 800–1400. Volume 2, Berichte, Beiträge und Forschungen zum Themenkreis der Ausstellung und des Katalogs, edited by Anton Legner. Cologne: Museum Schnütgen, 1973. p. 207.
Morgan, Nigel. "The Iconography of Twelth Century Mosan Enamels." In Rhein und Maas: Kunst und Kultur 800–1400. Volume 2, Berichte, Beiträge und Forschungen zum Themenkreis der Ausstellung und des Katalogs, edited by Anton Legner. Cologne: Museum Schnütgen, 1973. p. 275 n. 161.
A Medieval Miscellany: Romanesque and Early Gothic Metalwork. Santa Barbara: Art Galleries, University of California, Santa Barbara, 1974. p. 21.
Verdier, Philippe. "Emaux mosans et rheno-mosans dans les collections des États-Unis." Revue belge d'archéologie et d'histoire de l'art 44 (1975). pp. 55–60, ill. p. 54.
Brodsky, Joyce E. "Le groupe du triptyque de Stavelot: Notes sur un atelier mosan et sur les rapports avec Saint-Denis." Cahiers de civilisation médiévale 21 (April–June 1978). pp. 105–7, fig. 4.
Voelkle, William. The Stavelot Triptych: Mosan Art and the Legend of the True Cross. New York: Pierpont Morgan Library, 1980. no. 9, pp. 9, 28–29, fig. 19.
Hürkey, Edgar J. Das Bild des Gekreuzigten im Mittelalter: Untersuchungen zu Gruppierung, Entwicklung und Verbreitung anhand der Gewandmotive. Worms: Werner'sche Verlagsgesellschaft, 1983. no. 41, p. 160, fig. 41.
Durand, Jannic, ed. Byzance: L'Art Byzantin dans les Collections Publiques Françaises. Paris: Musée du Louvre, 1992. p. 328.
Henderson, George. Early Medieval. Medieval Academy Reprints for Teaching, Vol. 29. Toronto: University of Toronto, 1993. pp. 229–30, fig. 145.
Stratford, Neil. Catalogue of Medieval Enamels in the British Museum: Volume 2, Northern Romanesque Enamel. London: British Museum Press, 1993. pp. 27, 28, 30, 57, 59–67, pl. 14, colorpl. VIII (as no. 3e).
Lasko, Peter. Studies on Metalwork, Ivories and Stone. London: Pindar Press, 1994. pp. 94, 96, fig. 4, [reprint of Lasko 1966].
Wixom, William D. "Medieval Art." In The Ronald S. Lauder Collection: Selections from the 3rd century BC to the 20th century, Germany, Austria, and France. New York: Neue Galerie, 2011. p. 42.
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