Overall: 35 x 29 in. (88.9 x 73.7 cm) Storage: 36 × 40 × 2 in. (91.4 × 101.6 × 5.1 cm)
Gift of Irwin Untermyer, 1964
Not on view
According to his biographers, Saint Francis of Assisi enjoyed all the comforts of wealth and position until he heard Christ calling to him as he prayed. He then promptly renounced his possessions and devoted the rest of his life to poverty, charity, and veneration. This textile illustrates a pivotal moment in the saint’s life: while kneeling in prayer on a mountain at La Verna, he saw a vision of a seraph, a six-winged angel, on a cross and found he had received the stigmata, the five wounds of Christ, in his hands, feet, and side. The moment marks the fulfillment of Saint Francis’ aspiration to imitate Christ himself in compassion and service to others.
The textile depicts the saint in an active pose, with his hands outstretched and his gaze turned up to the seraph. In composition, the scene resembles the portrayal of the same event in the cycle of frescoes traditionally associated with Giotto that decorate the Church of Saint Francis at Assisi, the site of the saint’s tomb and the mother church of the monastic order he founded. The location assured these paintings a seminal role in the formation of Franciscan imagery, and the use of the iconic image in the textile indicates that it was made for a church of Franciscan affiliation. The medium of embroidery, however, visibly enriches the rustic scene, for the saint’s coarse robe is rendered in smooth silk, and metal threads describe the rays that deliver the miraculous wounds.
Werner Weissbach ; Irwin Untermyer, New York (until 1964)
Gómez-Moreno, Carmen. Medieval Art from Private Collections: A Special Exhibition at The Cloisters, October 30, 1968 through January 5, 1969. New York: The Metropolitan Museum of Art, 1968. no. 200.
Stokstad, Marilyn, and Jerry Stannard, ed. Gardens of the Middle Ages. Lawrence: Spencer Museum of Art, University of Kansas, 1983. no. 22, pp. 138–39.