This sumptuous reliquary sets the Virgin and Child, accompanied by angels, within an elaborate architectural shrine. The arches, vaults, and sculptural decorations are of gilded silver; translucent enamel panels on the wings depicting scenes from the life of the Virgin and the Infancy of Christ evoke stained-glass windows. This example, one of only four such shrines to have survived, is recorded in the eighteenth-century inventories of the convent of the Poor Clares of the Order of Saint Francis at Buda (part of the modern city of Budapest), founded by Queen Elizabeth of Hungary in 1334.
From the convent of the Poor Clares at Buda (part of the modern city of Budapest); Countess V. Batthyany, Vienna ; Count Arthur Batthyany ; Frederick I, Grand Duke of Baden 1826–1907 ; his sale, Hôtel Drouot, Paris (January 28-29, 1867, no. 61) ; Baron Adolphe Carl de Rothschild 1823–1900, Paris and Pregny (from 1867–1900) ; by descent, Caroline Julie Anselme Rothschild 1830–1907, Paris and Pregny (1900–d.1907) ; by descent, Baron Edmond James de Rothschild French, 1845–1934, Paris (1907–until 1934) ; Reichsmarschall Hermann Goering (confiscated from Baron Edmond's residence, Paris) ; restituted to estate of Baron Edmond James de Rothschild French, 1845–1934, Paris (June 3, 1948) ; by descent, Baron James Armand Edmond de Rothschild 1878–1957 Paris and London OR ; Baron Maurice Edmond Charles de Rothschild 1881–1957, Paris ; by descent, Baron Edmond Adolphe de Rothschild, Paris (?) (sold 1962) ; [ Rosenberg and Stiebel, Inc., New York (sold 1962)]
New York. The Metropolitan Museum of Art. "Making The Met, 1870–2020," August 29, 2020–January 3, 2021.
Primisser, Alois. "Der silberne Hausaltar der ungarischen Königstochter Margarethe." Taschenbuch für die Vaterländische Geschichte 5 (1824). pp. 97–103.
Catalogue d'une importante Collection de Cristaux de Roche [...] provenant en partie d'une maison princiére d'allemagne. Paris: Hôtel Drouot, January 28–29, 1867. no. 61, pp. 14–15.
Rómer, Flóris. "Der Hausaltar der seligen Margaretha, Tochter Königs bela des IV." Mittheilungen der K.K. Central-Commission zur Erforschung und Erhaltung der Baudenkmale 12 (1867). pp. 133–45, pl. V.
Rómer, Flóris. "Sz. Margit házi oltára." Archaeologiai Közlemények 7 (1868). pp. 19–42, ill.
Radisics, Eugène de. "Exposition rétrospective de la Hongrie." Gazette des Beaux-Arts, 3rd ser., 24, no. 4 (October 1900). ill. p. 269.
Freeman, Margaret B. "A Shrine for a Queen." The Metropolitan Museum of Art Bulletin, n.s., 21, no. 10 (June 1963). pp. 328, 330, 335, fig. 1, 4, 13.
Stoddard, Whitney S. Monastery and Cathedral in France: Medieval Architecture, Sculpture, Stained Glass, Manuscripts, the Art of the Church Treasuries. Middletown, CT: Wesleyan University Press, 1966. pp. 378–81, 383, fig. 423.
The Metropolitan Museum of Art. In the Presence of Kings: Royal Treasures from the Collections of The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 1967. no. 13.
Norman, Jane. "How to Look at Art." The Metropolitan Museum of Art Bulletin, n.s., 28, no. 5 (January 1970). pp. 10–11.
Deuchler, Florens. "The Cloisters: Ein Museum für mittelalterliche Kunst in New York." Du 32, no. 2 (1972). pp. 118–19.
Legner, Anton, ed. Die Parler und der schöne Stil, 1350-1400: Europäische Kunst unter den Luxemburgern. Vol. 2. Cologne: Museen der Stadt Köln, 1978. p. 458.
Fritz, Johann Michael. Goldschmiedekunst der Gotik in Mitteleuropa. Munich: C. H. Beck, 1982. p. 226, fig. 272.
Howard, Kathleen, ed. The Metropolitan Museum of Art Guide. New York: The Metropolitan Museum of Art, 1983. no. 23, p. 369.
Shepard, Mary B. Europe in the Middle Ages, edited by Charles T. Little, and Timothy B. Husband. New York: The Metropolitan Museum of Art, 1987. pp. 116–117, pl. 109.
Wixom, William D. "Medieval Sculpture at The Cloisters." The Metropolitan Museum of Art Bulletin, n.s., 46, no. 3 (Winter 1988-1989). p. 62.
Young, Bonnie. A Walk Through The Cloisters. 5th ed. New York: The Metropolitan Museum of Art, 1988. pp. 108–09.
Erlande-Brandenburg, Alain. Gothic Art. New York: H. N. Abrams, 1989. p. 364, fig. 173, ill. p. 367.
Gaborit-Chopin, Danielle. "The Reliquary of Elizabeth of Hungary at The Cloisters." In The Cloisters: Studies in Honor of the Fiftieth Anniversary, edited by Elizabeth C. Parker. New York: The Metropolitan Museum of Art, 1992. pp. 326–53, fig. 1–9, 34–35.
Howard, Kathleen, ed. The Metropolitan Museum of Art Guide. 2nd ed. New York: The Metropolitan Museum of Art, 1994. no. 23, p. 403.
Gerson, Paula. "Relics and Reliquaries." In Medieval France: An Encyclopedia, edited by William W. Kibler, and Grover A. Zinn. Garland Encyclopedias of the Middle Ages, Vol. 2. New York and London: Garland Publishing, Inc., 1995. p. 791 [1491].
Barnet, Peter, and Nancy Y. Wu. The Cloisters: Medieval Art and Architecture. New York and New Haven: The Metropolitan Museum of Art, 2005. no. 63, pp. 99, 196.
Barnet, Peter, and Nancy Y. Wu. The Cloisters: Medieval Art and Architecture. 75th Anniversary ed. New York and New Haven: The Metropolitan Museum of Art, 2012. p. 100.
Hourihane, Colum P., ed. The Grove Encyclopedia of Medieval Art and Architecture. Vol. 3. New York: Oxford University Press, 2012. p. 93.
Tomasi, Michele. "Luxe et Dévotion au XIVe Siècle: Autour du Tabernacle de Thomas Basin." Comptes rendus des séances de l’Académie des Inscriptions et Belles Lettres 2 (April–June 2012). pp. 1010–14, fig. 8–9.
Stein, Wendy A. How to Read Medieval Art. New York: The Metropolitan Museum of Art, 2016. no. 1, pp. 13, 14, 20–23, ill. p. 136.
Bolton, Andrew, ed. Heavenly Bodies: Fashion and the Catholic Imagination. Vol. 2. New York: The Metropolitan Museum of Art, 2018. pp. 300, 318.
Brennan, Christine, and Yelena Rakic. "Fragmented Histories." In Making the Met, 1870-2020, edited by Andrea Bayer. New York: The Metropolitan Museum of Art, 2020. pp. 175–76, fig. 192.
Publishing and Marketing Assistant Rachel High sits down with How to Read Medieval Art author Wendy Stein to learn some of the meaning behind art of the Middle Ages and uncover the value of looking closely.
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Museum's collection of medieval and Byzantine art is among the most comprehensive in the world, encompassing the art of the Mediterranean and Europe from the fall of Rome to the beginning of the Renaissance.