Top, Creation of the Animals, Creation of Adam; middle, Creation of Eve, God with the naked Adam and Eve; bottom, Saint Andrew with donors and the priest of Añastro
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Top, Creation of the Animals, Creation of Adam; middle, Creation of Eve, God with the naked Adam and Eve; bottom, Saint Andrew with donors and the priest of Añastro
Back, top, The Calling of St Andrew; middle, Saint Andrew preaches to the pagans; bottom, Saint Andrew baptizes, Saint Andrew observes a king worshipping an idol
Artwork Details
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Title:Scenes from the Life of Saint Andrew
Date:late 14th century
Geography:Made in Castile, Spain
Culture:Spanish
Medium:Tempera on wood, gold ground
Dimensions:78 1/4 in. × 39 3/4 in. × 2 1/8 in. × 15/16 in. (198.8 × 101 × 5.4 × 2.4 cm)
Classification:Paintings-Panels
Credit Line:The Cloisters Collection, 1925
Object Number:25.120.257
Inscription: Inscribed (in Spanish): (recto, center left) DIO LA SACA OS LA COSTI EL ADAM DORMI (God takes the bone from the sleeping Adam's rib); (recto, center right) CRIO DIO AEBA DE LA COSTI EL [ADAM] (God creates Eve from [Adam's] rib; (recto, bottom) INSENSA EL ANGEL / SANT ANDRES APOSTOL / INSENSA EL ANGEL (censing angel / Saint Andrew the Apostle / censing angel); (left to right, on donors' scrolls, with their names) . . . AIS DAMIGO; ANOTRO [TR elided] FERANDES DE ANASTRO; MARTIN PERIS DE ANASTROELRA; (on donors' books) OSE POR SANT ANDRES ROG (Saint Andrew prays for . . . ); (verso, top) SANT ANDRES ANDA PESCANDO LLAMA . . . CRISTO (Saint Andrew goes fishing, Christ calls . . . ); (verso, center) SANT ANDRES PEDRICA A LAS GENTES PAGANAS (Saint Andrew preaches to the pagan people); (verso, bottom left) BATISA SANT ANDRES (Saint Andrew baptizes); (verso, bottom right) ADORA EL RE EL IDOLO SANT ANDRES (the king adores the idol, Saint Andrew)
From the church of Saint Andrew, Añastro; George Grey Barnard American, New York (until 1925)
New York. Museum of Biblical Art. "An Uneasy Communion: Jews, Christians, and the altarpieces of medieval Spain," February 19, 2010–May 20, 2010.
Breck, Joseph. The Cloisters: A Brief Guide. 1st ed. New York: The Metropolitan Museum of Art, 1926. p. 32.
Post, Chandler Rathfon. A History of Spanish Painting. Cambridge, Mass.: Harvard University Press, 1930. pp. 133–36, 467, fig. 127.
Wehle, Harry B. A Catalogue of Paintings: Volume 1, Catalogue of Italian, Spanish and Byzantine Paintings. New York: The Metropolitan Museum of Art, 1940. pp. 211–12, ill.
Cook, Walter W.S., and José Gudiol Ricart. Pintura e imaginería románicas. Ars Hispaniae, Vol. 6. 1st ed. Madrid: Editorial Plus Ultra S. A., 1950. p. 261.
Allen, Josephine L., and Elizabeth E. Gardner. A Concise Catalogue of the European Paintings in The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 1954. p. 92.
Randall Jr., Richard H. A Cloisters Bestiary. New York: The Metropolitan Museum of Art, 1960. p. 3, ill.
Baetjer, Katharine. European Paintings in The Metropolitan Museum of Art by Artists Born before 1865: A Summary Catalogue. Vol. 1. New York: The Metropolitan Museum of Art, 1980. p. 178.
Baetjer, Katharine. European Paintings in The Metropolitan Museum of Art by Artists Born before 1865: A Summary Catalogue. Vol. 2. New York: The Metropolitan Museum of Art, 1980. p. 190.
Cook, Walter W.S., José Gudiol Ricart, and Editorial Plus Ultra S. A. Pintura e imaginería románicas. Ars Hispaniae, Vol. 6. 2nd ed. Madrid, 1980. p. 238–39, fig. 292–93.
Mentré, Mireille. Création et Apocalypse: Histoire d'un Regard Humain sur le Divin. Paris: O.E.I.L., 1984. p. 101.
Baetjer, Katharine. European Paintings in The Metropolitan Museum of Art by Artists Born before 1865: A Summary Catalogue. New York: The Metropolitan Museum of Art, 1995. pp. 146–47.
Sáenz Pascual, Raquel. "Un Ejemplo de Gótico Lineal Tardío: El Retablo de San Andrés de Añastro." Revisión del Arte Medieval en Euskal Herria. Cuadernos de Sección. Artes Plásticas y Monumentales 15 (1996). pp. 471–81, ill. and discussed throughout.
Sáenz Pascual, Raquel. La Pintura Gótica en Álava: Una Contribución a su Estudio. Vitoria-Gasteiz: Diputación Foral de Álava, 1997. pp. 137–79, fig. 14–18.
Sáenz Pascual, Raquel. "El Ciclo del Génesis en el Retablo de San Andrés de Añastro." In La Biblia en el Arte y en la Literatura: V Simposio Bíblico Español: Volumen 2, Arte. Valencia: Fundación Bíblica Española, 1999. pp. 369–83.
Melero Moneo, María Luisa. "Retablo y frontal del convento de San Juan de Quejana en Álava (1396)." Locus Amoenus 5 (2001–2002). pp. 39–40.
Gutiérrez Baños, Fernando. "Aportación al Estudio de la Pintura de Estilo Gótico Lineal en Castilla y León: Precisiones Cronológicas y Corpus de Pintura Mural y Sobre Tabla." PhD diss., Universidad de Valladolid, 2005. no. 7, p. 22–40, reconstruction fig. 2, p. 468.
Mann, Vivian B. "Jews and Altarpieces in Medieval Spain." In Uneasy Communion: Jews, Christians, and the Altarpieces of Medieval Spain, edited by Vivian B. Mann. New York, London: Museum of Biblical Art, 2010. pp. 112–17, fig. 49.
Master of the Codex of Saint George (Italian, active Florence, ca. 1315–35)
ca. 1330–35
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