In connection with, or soon after, his first solo exhibition at the principal meeting place of the Barcelona avant-garde, the bohemian tavern Els Quatre Gats, Picasso made a set of small caricatures of the prominent members of the informal club.
Casagemas (1880–1901), the son of the American consul general in Barcelona, was a year older than Picasso, his best friend. A painter and poet, he accompanied Picasso to Paris to visit the World's Fair in autumn 1900. There, he fell in love with Laure Gargallo, known as Germaine, who ultimately spurned his affections. In despair, Casagemas committed suicide on February 17, 1901, after first attempting to kill Germaine. Picasso was already back in Barcelona by that time but was deeply affected by the news. Nevertheless, when he returned to Paris in May 1901, he took up residence in Casagemas's former apartment and began a liaison with Germaine. Later in 1901, Picasso painted two large compositions and several small studies inspired by Casagemas's suicide. Germaine appears next to Picasso in At the Lapin Agile, (MMA 1992.39.
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Inscription: Signed (lower edge, in pen and brown ink): - P. Ruiz Picasso -
Santiago Juliá, Barcelona (by 1955); C. Michael Paul, New York (until d. 1980); his sister, Dr. Raymonde Paul, New York (1980–82; her gift to MMA)
Barcelona. Els Quatre Gats. "Exhibitions of Drawings by Pablo Picasso," February 1900, no catalogue [possibly this picture].
Providence. Rhode Island School of Design. "Modern Catalan Painting," January 15–February 8, 1932, no. 36 (as one of 18 sketches of Catalonian artists; for sale) [probably this picture].
Brooklyn Museum. "Modern Catalan Painting," February 15–March 12, 1932, no catalogue [probably this picture].
Cincinnati Art Museum. "Modern Catalan Painting," April–May 1932, no catalogue [probably this picture].
Springfield, Mass. Springfield Art Museum. "Modern Catalan Painting," June 1–13, 1932, no. 35 (as one of 18 sketches of Catalonian artists) [probably this picture].
San Francisco. California Palace of the Legion of Honor. "Modern Catalan Painting," July 1932, no catalogue [probably this picture].
Ann Arbor. University of Michigan. "Modern Catalan Painting," August 1932, no catalogue [probably this picture].
Barcelona. Palacio de la Virreina y Museo de Arte Moderno. "III Bienal Hispanoamericana de Arte: Forerunners and Masters of Contemporary Spanish Art," September 24–October 24, 1955, no. 24.
Kunstmuseum Bern. "Der Junge Picasso: Frühwerk und Blaue Periode," December 6, 1984–February 17, 1985, no. 85.
Charleroi. Palais des Beaux-Arts. "Picasso, Miró, Dalí: Évocations d'Espagne," September 24–December 22, 1985, no. 14.
Barcelona. Museu Picasso. "Picasso i els 4 Gats: La clau de la modernidad," November 1995–February 1996, no. 73.
Cleveland Museum of Art. "Barcelona and Modernity: Picasso, Gaudí, Miró, Dalí," October 15, 2006–January 7, 2007, no. 3:18.
New York. The Metropolitan Museum of Art. "Barcelona and Modernity: Gaudí to Dalí," March 7–June 3, 2007, no. 3:18.
Amsterdam. Van Gogh Museum. "Barcelona 1900," September 21, 2007–January 20, 2008, unnumbered cat. (148
(p. 148).
New York. The Metropolitan Museum of Art. "Picasso in The Metropolitan Museum of Art," April 27–August 1, 2010, no. 2.
New York. Gagosian. "A Foreigner Called Picasso," November 10, 2023–February 10, 2024, unnumbered cat. (p. 40).
Rodriguez Codolà. "Els IV Gats: Exposicion Ruiz Picazzo [sic]." La Vanguardia (February 3, 1900), (2006 ed., pp. 265–66).
Edward Alden Jewell. "A Deluge of Art Exhibitions." New York Times (February 15, 1932), p. 15 [probably this picture].
"Catalan Paintings to Be Shown." New York Herald Tribune (February 14, 1932), p. 22 [probably this picture].
Josep Palau i Fabre. Picasso en Cataluña. Barcelona, 1966, pp. 66, 238, fig. 30.
Christian Zervos. Pablo Picasso. Vol. 21, Supplément aux anneés 1892-1902. Paris, 1969, p. 45, no. 116, ill.
Jane Fluegel inPablo Picasso: A Retrospective. Ed. William Rubin. Exh. cat., Museum of Modern Art, New York. New York, 1980, p. 19, fig.i.
Josep Palau i Fabre. Picasso, Barcelona, Catalunya. Barcelona, 1981, p. 35, ill.
Josep Palau i Fabre. Picasso: The Early Years, 1881–1907. New York, 1981, pp. 191, 530, no. 438, ill.
Lisa Messinger. "Picasso Portrait Drawings: Barcelona 1899–1900." Drawing: The International Review published by the Drawing Society 8 (November 1986), p. 77, fig. 12.
Gary Tinterow inPicasso in The Metropolitan Museum of Art. Ed. Gary Tinterow and Susan Alyson Stein. Exh. cat., The Metropolitan Museum of Art. New York, 2010, p. 8.
Magdalena Dabrowski inPicasso in The Metropolitan Museum of Art. Ed. Gary Tinterow and Susan Alyson Stein. Exh. cat., The Metropolitan Museum of Art. New York, 2010, p. 19, no. 2, ill. (color).
Rachel Mustalish inPicasso in The Metropolitan Museum of Art. Ed. Gary Tinterow and Susan Alyson Stein. Exh. cat., The Metropolitan Museum of Art. New York, 2010, p. 19.
Elizabeth Cowling inPicasso Portraits. Ed. Elizabeth Cowling. Exh. cat., National Portrait Gallery, London. London, 2016, pp. 51, 235, no. 35, ill. (color).
Ester Baron Borràs. "La Modern Catalan Painting: una exposició itinerant de pintura catalana moderna als Estats Units (1931–1933). La presentació de Picasso com a artista català." Locus Amoenus 19 (2021), p. 230.
Pablo Picasso (Spanish, Malaga 1881–1973 Mougins, France)
1921
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