Venice. Museo Correr. "Jackson Pollock in Venice," March 23–June 30, 2002, no. 15.
New York. Robert Miller Gallery. "Dialogue: Lee Krasner and Jackson Pollock," December 8, 2005–January 28, 2006, not in catalogue.
Roslyn Harbor, N. Y. Nassau County Museum of Art. "Surrealism: Dreams on Canvas," May 26–August 12, 2007, unnumbered cat. (p. 47).
Kunstmuseum Basel. "The Figurative Pollock," October 2, 2016–January 22, 2017, no. 16.
Francis Valentine O'Connor and Eugene Victor Thaw, ed. Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings, and Other Works. Vol. 3, Drawings, 1930–1956. New Haven, 1978, p. 66, no. 475, ill., date it ca. 1938–39.
Steven Naifeh and Gregory White Smith. Jackson Pollock: An American Saga. New York, 1989, ill. p. 301, date it 1936–37.
Lisa Mintz Messinger. "Pollock Studies the Mexican Muralists and the Surrealists: Sketchbook III." The Jackson Pollock Sketchbooks in The Metropolitan Museum of Art. New York, 1997, pp. 62, 64, p. 87, no. III:16r, states that this drawing reflects Orozco's Dartmouth murals; identifies the central figure in this drawing as directly derived from Orozco's 1926 fresco "The Franciscan" (National Preparatory School, Mexico City) which was illustrated in a January 1929 "Creative Art" article recommended to Pollock by his brother.
Kirk Varnedoe in Kirk Varnedoe Pepe Karmel. Jackson Pollock. Exh. cat., Museum of Modern Art, New York. New York, 1998, p. 25, colorpl. 23.
Charles A. Riley II inSurrealism: Dreams on Canvas. Exh. cat., Nassau County Museum of Art. Roslyn Harbor, 2007, pp. 46–47, ill. (color).
Lisa Mintz Messinger inMen of Fire: José Clemente Orozco and Jackson Pollock. Exh. cat., Hood Museum of Art, Dartmouth College. Hanover, N.H., 2012, pp. 39, 49 n. 21, fig. 64 (color).
Nina Zimmer inThe Figurative Pollock. Ed. Nina Zimmer. Exh. cat., Kunstmuseum Basel. Basel, 2016, pp. 97–98, no. 16, ill. (color) pp. 66, 112.