Modigliani, who left Italy for Paris in 1906, is said to have met the Spanish artist Juan Gris at the apartment of writer and art patron Gertrude Stein in 1909 or 1910. At the time of this portrait, Gris was twenty-seven and Modigliani thirty. Although he was influenced by Cubist painters such as Gris, Modigliani also briefly worked in sculpture under the tutelage of Constantin Brancusi. By 1914 Modigliani was focused solely on painting, but he presented his subjects with simple contours, elongated forms, and spare, stylized features that parallel those in his three-dimensional art. He produced a prodigious body of work before dying of tuberculosis at the age of thirty-five.
This image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
Credit Line:Bequest of Miss Adelaide Milton de Groot (1876–1967), 1967
Object Number:67.187.85
Inscription: Inscribed (upper right): GRIS
Georges Dorival, Paris (after 1923–d. 1939; possibly gift of his estate to Viard); possibly Dr. Paul Viard, Paris (from ca. 1939); private collection, United States (in 1947); [Perls Galleries, New York, until 1950; stock no. 4695; sold on February 27, 1950, for $6,200, to de Groot]; Adelaide Milton de Groot, New York (1950–d. 1967; her bequest to MMA)
New York. Perls Galleries. "Masterpieces from the Collection of Adelaide Milton de Groot," April 14–May 3, 1958, no. 27 (as "Portrait de Juan Gris," 1916).
Columbus Gallery of Fine Arts. "Masterpieces from the Adelaide Milton de Groot Collection," December 2, 1958–March 1, 1959, no. 26 (as "Juan Gris," 1916) [probably withdrawn early for Exh. Chicago-Milwaukee-Cincinnati 1959].
Arts Club of Chicago. "Amedeo Modigliani," January 30–February 28, 1959, unnumbered cat. (as "Juan Gris," c. 1915, lent by Miss Adelaide Milton de Groot, New York).
Milwaukee Art Center. "Amedeo Modigliani," March 5–April 1, 1959, unnumbered cat.
Contemporary Arts Center, Cincinnati Art Museum. "Amedeo Modigliani," April 18–May 20, 1959, no. 8 (as "Juan Gris," c. 1915, lent by Miss Adelaide Milton de Groot, New York).
Museum of Fine Arts, Boston. "Modigliani: Paintings and Drawings," January 19–February 25, 1961, no. 8 (lent by Miss Adelaide Milton de Groot, New York).
Los Angeles County Museum of Art. "Modigliani: Paintings and Drawings," March 28–April 30, 1961, no. 8.
Edinburgh. Royal Scottish Academy. "Modigliani," August 17–September 15, 1963, no. 8.
London. Tate Gallery. "Modigliani," September 28–November 3, 1968, no. 8.
Tokyo. Grand Magazin Seibu. "Modigliani," May 3–June 19, 1963, no. 23.
National Museum of Modern Art, Kyoto. "Modigliani," June 22–August 4, 1968, no. 23.
Fukuoka Cultural Center. "Modigliani," August 15–September 1, 1968, no. 23.
Paris. Musée Jacquemart-André. "Le Bateaux-Lavoir: Berceau de l'art moderne," October 10, 1975–January 31, 1976, no. 48 (as "Portrait de Juan Gris").
Bellingham, Wash. Whatcom Museum of History and Art. "5000 Years of Art: An Exhibition from the Collections of The Metropolitan Museum of Art," December 4, 1976–October 2, 1977, no. 73.
Oklahoma City. Oklahoma Museum of Art. "Masters of the Portrait," March 4–April 29, 1979, no. 35 (as "Portrait of Juan Gris," ca. 1915–16).
New York. The Metropolitan Museum of Art, Junior Museum. "Portraits: A Selection from the Department of 20th Century Art," November 25, 1980–February 16, 1981, no catalogue.
Musée d'Art Moderne de la Ville de Paris. "Amedeo Modigliani, 1884–1920," March 26–June 28, 1981, no. 28.
Museum of Modern Art, Saitama. "From Impressionism to École de Paris: Its Passion and Struggle," November 3–December 12, 1982, no. 48.
Bellevue, Wash. Bellevue Art Museum. "Five Thousand Years of Faces," January 30–July 30, 1983, unnumbered cat. (as "Portrait of Juan Gris").
National Museum of Modern Art, Tokyo. "Modigliani," July 19–September 29, 1985, no. 51.
Nagoya. Aichi Prefectural Art Gallery. "Modigliani," October 23–November 7, 1985, no. 51.
Canberra. Australian National Gallery. "20th Century Masters from The Metropolitan Museum of Art, New York," March 1–April 27, 1986, unnumbered cat. (p. 36).
Brisbane. Queensland Art Gallery. "20th Century Masters from The Metropolitan Museum of Art, New York," May 7–July 1, 1986, unnumbered cat.
London. Royal Academy of Arts. "Italian Art in the 20th Century: Painting and Sculpture 1900–1988," January 14–April 9, 1989, no. 58.
Venice. Palazzo Grassi. "Italian Art, 1900–1945," April 29–November 6, 1989, unnumbered cat. (p. 352; dated c. 1915).
New York. The Metropolitan Museum of Art. "The Florene M. Schoenborn Bequest: 12 Artists of the School of Paris," February 11–May 4, 1997, extended to August 31, 1997, not in brochure [among 14 non-Schoenborn bequest works included in the exhibition].
New York. The Metropolitan Museum of Art. "Painters in Paris: 1895–1950," March 8–December 31, 2000, extended to January 14, 2001, unnumbered cat. (p. 33).
Kyoto Municipal Museum of Art. "Picasso and the School of Paris: Paintings from The Metropolitan Museum of Art, New York," September 14–November 24, 2002, no. 33.
Tokyo. Bunkamura Museum of Art. "Picasso and the School of Paris: Paintings from The Metropolitan Museum of Art, New York," December 7, 2002–March 9, 2003, no. 33.
New York. The Metropolitan Museum of Art. "Artists' Artists," July 2–November 14, 2004, no catalogue.
London. Royal Academy of Arts. "Modigliani and His Models," July 8–October 15, 2006, no. 7.
Moscow. State Pushkin Museum of Fine Arts. "Modigliani," March 21–June 17, 2007, no. 26.
Madrid. Museo Thyssen-Bornemisza. "Modigliani y su tiempo," February 5–May 18, 2008, no. 56.
Staatsgalerie Stuttgart. "Modigliani: Modern Gazes," November 24, 2023–March 17, 2024, no. 37.
Potsdam. Museum Barberini. "Modigliani: Modern Gazes," April 27–August 18, 2024, no. 37.
Daniel-Henry Kahnweiler. Juan Gris: His Life and Work. New York, 1947, p. ix, fig. 7, dates it about 1918 and locates it in a private collection, U. S.
Howard Devree. "Both Old and New: From the Early Renaissance to Picasso Range the New Exhibitions." New York Times (March 5, 1950), p. 104, mentions this picture as "warrant by itself for a visit" to Exh. New York 1950.
Jacques Lipchitz. Amedeo Modigliani (1884–1920). New York, 1954, pl. 60, dates it 1916.
Arthur Pfannstiel. Modigliani et son œuvre. Paris, 1956, p. 90, no. 114, as "Le Peintre Juan Gris"; lists it under 1916.
Jeanne Modigliani. Modigliani: Man and Myth. New York, 1958, pp. 67, 72, comments that although this picture has been dated 1916, Modigliani probably met Gris in 1909–10 at Gertrude Stein's apartment on the rue de Fleurus.
Frederick S. Wight. Modigliani: Paintings and Drawings. Exh. cat., Museum of Fine Arts, Boston. Los Angeles, 1961, pp. 22, 34, no. 8, ill. p. 15, dates it about 1915; notes the Cubist influence in this picture.
Jeanne Modigliani. Modigliani sans légende. Paris, 1961, p. 77.
John Russell. Modigliani. Exh. cat., Royal Scottish Academy, Edinburgh. 1963, pp. 14–15, no. 8, pl. 6, dates it about 1915.
Ambrogio Ceroni. Amedeo Modigliani: Dessins et sculptures, avec suite du catalogue illustré des peintures. Milan, 1965, p. 42, no. 173, ill., dates it 1916.
Alfred Werner. Amedeo Modigliani. New York, [1966], fig. 46, dates it about 1918.
Ambrogio Ceroni. I dipinti di Modigliani. Milan, 1970, pp. 92–93, no. 99, ill. [French ed., 1972].
J[oseph]. Lanthemann. Modigliani, 1884–1920, catalogue raisonné: Sa vie, son Oeuvre complet, son art. Barcelona, 1970, p. 114, no. 108, ill. p. 187, illustrates another portrait of Gris, calling ours the second.
Thomas Schlotterback. 5000 Years of Art: An Exhibition from the Collections of The Metropolitan Museum of Art. Exh. cat., Whatcom Museum of History and Art. Bellingham, Wash., 1976, p. 99, no. 73, ill., dates it 1918.
William Fifield. Modigliani. New York, 1976, p. 191.
Thomas Schlotterback inFive Thousand Years of Faces. Exh. cat., Bellevue Art Museum. Bellevue, Wash., 1983, unpaginated.
Rafael Santos Torroella inModigliani, 1884–1920. Exh. cat., Centre Cultural de la Caixa de Pensions. Barcelona, 1983, p. 21, fig. 4.
Kathleen Howard, ed. The Metropolitan Museum of Art Guide. New York, 1983, p. 412, no. 5, ill. (color).
Douglas Hall. Modigliani. Oxford, 1984, unpaginated, colorpl. 24, remarks that, unlike most of his other stylized portraits, this picture shows Modigliani's rapport with the sitter; surmises that this "effeminate" portrayal of Gris "hints at some clash between the two men"
.
Jeanne Modigliani. Racconta Modigliani. Ed. Giorgio and Guido Guastalla. Livorno, 1984, p. 98.
Terence Measham in20th Century Masters from The Metropolitan Museum of Art, New York. Exh. cat., Australian National Gallery. Canberra, 1986, p. 36, ill. (color), notes that this picture was probably painted in a single sitting and mentions similarities with Modigliani's sculpture, African art, and Cubism; remarks that the inscription is not only the sitter's name but also means "gray," a color associated with Spanish art and Cubism.
Neal Benezra. "A Study in Irony: Modigliani's 'Jacques and Berthe Lipchitz'." Art Institute of Chicago Museum Studies 12, no. 2 (1986), p. 190, fig. 4, calls it a "rather disparaging depiction".
Thérèse Castieau-Barrielle. La Vie et l'œuvre de Amedeo Modigliani. Paris, 1987, p. 107, ill. (color).
Roger Bevan. "Museum Review: The Metropolitan Museum: a New Wing for Modern Art." Apollo 127 (January 1988), p. 41, calls it "Juan Gris".
Gaston Diehl. Modigliani. rev. ed. [1st ed., 1969]. New York, 1989, p. 64, ill. p. 35 (color), characterizes Modigliani as "understanding and affectionate" in this portrait.
Werner Schmalenbach. Amedeo Modigliani. Malerei—Skupturen—Zeichnungen. Exh. cat., Kunstsammlung Nordrhein-Westfalen. Munich, 1990, pp. 14, 31, 220, no. 30, colorpl. 32, dates it about 1915.
Osvaldo Patani. Amedeo Modigliani: Catalogo generale. Vol. 1, Dipinti. Milan, 1991, p. 124, no. 104, ill. (color).
Christian Parisot. Modigliani: Catalogue raisonné. Ed. Giorgio and Guido Guastalla. Vol. 2, Peintures, dessins, aquarelles. Livorno, 1991, pp. 286–87, no. 37/1915, ill. p. 97.
Anette Kruszynski. Amedeo Modigliani: Portraits and Nudes. Munich, 1996, pp. 34, 36, 40, 45, 118, ill. p. 38 (color), dates it about 1915; suggests that the inscription imitates the inclusion of letters in Cubist paintings.
Kenneth Wayne. Modigliani and the Artists of Montparnasse. Exh. cat., Albright-Knox Art Gallery, Buffalo. New York, 2002, pp. 32–33, fig. 7 (color), suggests that Modigliani could have met Gris even earlier than suggested by Jeanne Modigliani [Ref. 1958], when both artists lived in the Bâteau Lavoir, by 1908.
Werner Schmalenbach inModigliani: The Melancholy Angel. Exh. cat., Musée du Luxembourg, Paris. Milan, 2002, p. 37, fig. 8, dates it about 1915.
Tamar Garb inModigliani: Beyond the Myth. Ed. Mason Klein. Exh. cat., Jewish Museum, New York. New Haven, 2004, pp. 45–46, fig. 2 (color).
Mason Klein inModigliani: Beyond the Myth. Ed. Mason Klein. Exh. cat., Jewish Museum, New York. New Haven, 2004, p. 8, asserts that the depiction of individual traits within geometric forms as seen in this portrait is a formal expression of "the inability of Jews to escape their condition".
Rudy Chiappini inModigliani. Exh. cat., Complesso del Vittoriano, Rome. Milan, 2006, pp. 25–26, fig. 6.
Simonetta Fraquelli inModigliani and His Models. Exh. cat., Royal Academy of Arts. London, 2006, pp. 32, 82, 155, no. 7, ill. p. 83 (color), calls it close to caricature.
Kathleen Brunner inModigliani and His Models. Exh. cat., Royal Academy of Arts. London, 2006, p. 149.
Jeffrey Meyers. Modigliani: A Life. Orlando, 2006, pp. 110, 161–62, refutes Klein's [Ref. 2006] argument that this picture expresses Modigliani's Jewish identity.
María Dolores Jiménez-Blanco, ed. Juan Gris: Correspondencia y escritos. Barcelona, 2008, p. 86 n. 105, p. 502.
Christoph Vitali, ed. Amedeo Modigliani: Ein Mythos der Moderne. Exh. cat., Kunst und Ausstellungshalle der Bundesrepublik Deutschland, Bonn. Cologne, 2009, pp. 69, 176, no. 48, ill. (color).
Werner Schmalenbach. Amedeo Modigliani: Paintings—Sculptures—Drawings. (1st ed., German, 1990). Munich, 2016, pp. 14, 31, 218, colorpl. 32.
P. B. in "Georges Dorival, comédien & collectioneur." Tableaux, sculptures modernes & contemporains: Collection Dorival. December 13, 2018, p. 8.
Modern Evening Auction. Sotheby's, New York. May 17, 2022, under no. 28, online catalogue entry, fig. 9 (color).
Ortrud Westheider inModigliani: Modern Gazes. Ed. Christiane Lange and Ortrud Westheider. Exh. cat., Staatsgalerie Stuttgart. Munich, 2024, p. 156.
Jens-Henning Ullner inModigliani: Modern Gazes. Ed. Christiane Lange and Ortrud Westheider. Exh. cat., Staatsgalerie Stuttgart. Munich, 2024, pp. 158, 160, 178, 279, 301, no. 37, ill. p. 161 (color).
Nathalie Lachmann inModigliani: Modern Gazes. Ed. Christiane Lange and Ortrud Westheider. Exh. cat., Staatsgalerie Stuttgart. Munich, 2024, pp. 170, 204.
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Met's engagement with art from 1890 to today includes the acquisition and exhibition of works in a range of media, spanning movements in modernism to contemporary practices from across the globe.
