Painting
After the Second World War, Guston taught in Iowa and Missouri, took a fellowship in Rome, and settled in Manhattan in 1950. Although he belongs to the first generation of Abstract Expressionists, his abstract style coalesced around 1951. Although critics were quick to compare him to de Kooning and Still, Guston’s early work lacked the violence seen among his colleagues. Instead, he produced delicate pictures, seemingly spontaneous, but carefully and organically structured, like Mondrian’s Pier and Ocean series painted with Cézanne’s constructive stroke. When this painting was shown at the Museum of Modern Art in 1956, the critic Leo Steinberg characterized it as “the afterimage of a flower garden fading on the inside of closed [eye]lids.”
Artwork Details
- Title: Painting
- Artist: Philip Guston (American (born Canada), Montreal 1913–1980 Woodstock, New York)
- Date: 1952
- Medium: Oil on canvas
- Dimensions: 48 × 51 in. (121.9 × 129.5 cm)
- Classification: Paintings
- Credit Line: The Muriel Kallis Steinberg Newman Collection, Gift of Muriel Kallis Newman, 2006
- Object Number: 2006.32.25
- Rights and Reproduction: © Estate of Philip Guston
- Curatorial Department: Modern and Contemporary Art
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