Porcelain with underglaze blue decoration (Hizen ware, early Imari type)
H. 6 3/8 in. (16.1 cm); Diam. 3 1/2 in. (8.9 cm); Diam. of rim 2 1/8 in. (5.4 cm); Diam. of foot 1 1/2 in. (3.8 cm)
The Harry G. C. Packard Collection of Asian Art, Gift of Harry G. C. Packard, and Purchase, Fletcher, Rogers, Harris Brisbane Dick, and Louis V. Bell Funds, Joseph Pulitzer Bequest, and The Annenberg Fund Inc. Gift, 1975
Not on view
The flower pattern on this delicate bottle was painted with soft brushstrokes, resulting in a fluid appearance and pale coloring. The focus on an isolated motif from nature is characteristic of early Imari porcelain, a style that differed from Chinese porcelain, which would later have a profound effect on Japanese wares. This porcelain vessel would have been used as a wine bottle for sake, Japanese rice wine. It belongs to the category of early Imari, which is the first type of porcelain produced in Japan. Works considered early Imari were made from the 1610s to the 1660s. After this point, the style of Japanese porcelain changed drastically due to the stimulation of the industry by the Dutch East India Company, when it began to buy Japanese wares and export them to Europe.
[ Harry G. C. Packard , Tokyo, until 1975; donated and sold to MMA].
New York. The Metropolitan Museum of Art. "Five Thousand Years of Japanese Art: Treasures from the Packard Collection," December 17, 2009–June 10, 2010.
New York. The Metropolitan Museum of Art. "Landscapes in Japanese Art," June 24, 2010–November 7, 2010.
Artist:Date: late 17th century Accession Number: 1975.268.476 Date:late 17th centuryMedium:Porcelain painted with cobalt blue under transparent glaze (Hizen ware; Imari type)
Accession:1975.268.476On view in:Gallery 203
Artist:Design attributed to Cornelis Pronk (Dutch, Amsterdam 1691–1759 Amsterdam) Date:ca. 1734–37Medium:Porcelain painted with cobalt blue under and colored enamels over transparent glaze (Hizen ware; Imari type)
Accession:2002.447.121On view in:Gallery 201