The God Indra Worships Ganesha, folio from the Tehri Garhwal series of the Gita Govinda

ca. 1775–80
On view at The Met Fifth Avenue in Gallery 251
The god Indra, identifiable by the many eyes that cover his body, beseeches Ganesha to remove spiritual obstacles. Sitting on a low throne within a pavilion, Ganesha wears a crown and is treated like an icon in a temple, rather than as a narrative participant. This is the first painting in a long series that illustrates the Gita Govinda, a twelfth-century devotional poem by Jayadeva celebrating the love between Krishna and Radha. Here, Ganesha’s appearance helps facilitate the reader’s access to these deities. The painters who produced this work are descendants of the great artist Manaku (active ca. 1725–60) and his brother Nainsukh (active ca. 1735–78). This generation of artists drew on forms and stylistic idioms established by the two siblings to realize this masterpiece of the late Pahari tradition.

Artwork Details

Object Information
  • Title: The God Indra Worships Ganesha, folio from the Tehri Garhwal series of the Gita Govinda
  • Date: ca. 1775–80
  • Culture: India, Punjab Hills, Kingdom of Kangra or Guler
  • Medium: Ink and opaque watercolor on paper
  • Dimensions: 9 13/16 × 6 7/8 in. (25 × 17.4 cm)
  • Classification: Paintings
  • Credit Line: Gift of Steven Kossak, The Kronos Collections, 2021
  • Object Number: 2021.435
  • Curatorial Department: Asian Art

More Artwork

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.