Landscapes after Tang-dynasty poems
Sheng Maoye, a professional painter active in his native Suzhou, shows in his work a lively interest in the shifting atmospheric effects of landscapes in mist and rain or of clouds at twilight or dawn. In these album leaves, images suggested by couplets excerpted from Tang-dynasty (618–907) poems provided the springboard for the artist's imagination. Sheng's interest in exploring the descriptive potentials of monochrome ink—sometimes with the addition of pale colors—to suggest different states of atmospheric realism was shared by his contemporaries in the Nanjing area, including Fan Qi (1616–after 1694) and Gong Xian (1619–1689).
Artwork Details
- 明 盛茂曄 唐詩意山水圖 冊
- Title: Landscapes after Tang-dynasty poems
- Artist: Sheng Maoye (Chinese, active ca. 1615–ca. 1640)
- Period: Ming dynasty (1368–1644)
- Date: mid-17th century
- Culture: China
- Medium: Album of six paintings; ink and color on silk
- Dimensions: .1: 11 1/4 x 12 in. (28.6 x 30.5 cm)
.2: 11 1/4 x 12 in. (28.6 x 30.5 cm)
.3: 11 5/8 x 12 in. (29.5 x 30.5 cm)
.4: 11 1/4 x 12 in. (28.6 x 30.5 cm)
.5: 11 7/8 x 12 in. (30.2 x 30.5 cm)
.6: 11 5/8 x 12 in. (29.5 x 30.5 cm) - Classification: Paintings
- Credit Line: The Sackler Fund, 1969
- Object Number: 69.242.1–.6
- Curatorial Department: Asian Art
More Artwork
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.