Early in the twentieth century Diaghilev's Russian dance company, Ballets Russes, performed in Paris—reigniting the taste for orientalism in Europe with its exotic sets and costumes. As this ensemble illustrates, Poiret excelled in recontextualizing western dress with fantastical eastern influence. He was also a maverick modernist in creating a stir, taking promotion of his inventive ensembles to new levels with his infamous spectaculars. This fancy-dress ensemble was made for and worn to Poiret's 1002nd Night party in 1911, which was designed and organized to promote his new creations in the full splendor and glamour of the orientalist trend.
Marking: [label] "Paul Poiret, Paris"
The Metropolitan Museum of Art. "Dance," December 9, 1986–September 6, 1987.
The Metropolitan Museum of Art. "Poiret: King of Fashion," May 9, 2007–August 5, 2007.
Clark Art Institute. "Noble Dreams and Wicked Pleasures: Orientalism in America 1870–1930," June 10, 2000–September 4, 2000.