Returned to lender The Met accepts temporary loans of art both for short-term exhibitions and for long-term display in its galleries.

Diego Martelli

Edgar Degas French

Not on view

In 1879, Degas made many studies leading up to this portrait of his friend and supporter Diego Martelli, an important Italian art critic and patron. Degas most likely first encountered Martelli, a champion of progressive modern art, while he was in Florence. Years later, Martelli was one of the critics of Manet’s Déjeuner sur l’herbe, calling it “ugly” when it was exhibited at the Salon des Refusés in 1863. He is shown here with his arms folded and his back to his desk. Martelli’s writings on the fourth Impressionist exhibition, in 1879, were central to publicizing the movement in Italy. He did not have the pleasure of seeing this astonishing portrait of himself, as it remained in Degas’s studio until the artist’s death.

Diego Martelli, Edgar Degas (French, Paris 1834–1917 Paris), Oil on canvas, French

This image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.