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Untitled

Philip Guston American, born Canada

Not on view

"Pictures should tell stories," Guston wrote around 1970. This certainly holds true for the paintings he made in the final months of his life, but their stories are elliptical and their methods unconventional. These works both feature strange, disconcerting "pile-ups," to use the artist’s word, of disjointed part-objects. In this one a hastily constructed contraption whose identity and purpose are ambiguous appear. Inside it appears a secondary image—a painting within the painting—of a sunset or sunrise. In another, a pair of rubbery legs coils improbably around two ladders. Especially unsettling is the confusion between the organic and inorganic: what is human appears inhuman, while the mechanical looks all too bodily.

Untitled, Philip Guston (American (born Canada), Montreal 1913–1980 Woodstock, New York), Acrylic and ink on illustration board

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© The Guston Foundation. Promised gift of Musa Guston Mayer to The Metropolitan Museum of Art